Thursday, December 10, 2020

The Pleasures of Reading, Viewing, and Listening in 2020, pt. 1: Lesley Wheeler

 



The Best Thing About 2020

by Lesley Wheeler

There were stretches, this year, when I could barely read through the haze of worry and outrage. Many amazing books reached me anyway. I spend most of this column on recent publications in sympathy for authors trying to get the word out right now but also because my 2020 reading tilted toward the contemporary. 

 

When I’m low, I look for page-turners: novels high in suspense and full of characters whose fates I care about. Little else can clear the mental static. The experience of reading The Only Good Indians by Stephen Graham Jones was perfect. At a virtual convention this fall, he described the story as a slasher—not my genre, usually. Yet even as Jones delivers on the slasher’s propulsive energy, he dissects its pleasures. I’m still in awe of his more-than-human monster (a mother animal) and his intensely moving riff on the “final girl” trope. From an utterly different world, Leigh Bardugo’s Ninth House also depends on formula while uncovering a genre’s disturbing understory. This school-of-magic tale is set at Yale, where secret societies manage terrible powers whose costs are paid by scholarship students, especially by vulnerable women. Cherie Dimaline’s Empire of Wild offers a riveting Métis rougarou visitation, and Nova Ren Suma’s The Walls Around Us is a brilliant ghost story.

As I reflect on the novels that affected me most this year, I realize they’re not only page-turners but investigations of race, class, gender, and social power generally, both well-told and urgent. I needed them and learned from them. For the same reasons, I’ve been working my way through Victor LaValle’s wonderful backlist. I downloaded the audiobook of Geraldine Brooks’ Year of Wonders—about literacy, social mobility, and the bubonic plague—before the contemporary plague was on my radar but found its account of seventeenth-century quarantine close-to-home. 


I also loved newer historical fictions penetrated by tendrils of the Weird, especially Afia Atakora’s Conjure Women and Sarah Tolmie’s The Little Animals. The latter is more than a year old now, but I’m nowhere near caught up with 2019, much less 2020. Among recent works I’m excited to crack is Master of Poisons by Andrea Hairston. I did read an advance copy of a late December release by Edward Austin Hall, Dread Isle, and it’s a terrific gender-bending, twisty novel with lots of Jules Verne in its DNA.

 

Poetry also kept me afloat this year, especially when I couldn’t sustain multi-hour literary voyages. Some favorite recent collections are Little Big Bully by Heid E. Erdrich, a manual for how to survive violence through a love of people and land; Leila Chatti’s Deluge, a first book about faith and the course of a bleeding disorder; and Kiki Petrosino’s White Blood, which brims with Virginia history and sharp meditations on mixed-race identity. 

 


 
I reviewed Anna Maria Hong’s fabulous Fablesque here, and my review of Destiny O. Birdsong’s Negotiations will appear soon in Harvard Review, but in short, it’s a knockout. For charm-like poems intensified by letterpress printing beauty, see Anna Lena Phillips Bell’s Smaller Songs. Although I have a tiny entry in each and it might seem self-serving, I strongly recommend Annie Finch’s stunning Choice Words: Writers On Abortion; Rocked by the Waters: Poems of Motherhood, coedited by Margaret Hasse and Athena Kildegaard; and Deep Beauty, coedited by Catherin Lee and Rosemary Winslow. They are wisely orchestrated anthologies, at moments breathtaking. I felt so grateful to receive my copies and to all the other editors and authors who made a tough year better.  

 


 

Lesley Wheeler’s debut novel is Unbecoming. She is also the author of five poetry collections, most recently The State She’s In, from Tinderbox Editions; The Receptionist and Other Tales was a finalist for what was then the James Tiptree, Jr. Award. Poetry’s Possible Worlds, Wheeler’s essay collection about twenty-first-century poetry, is forthcoming in 2021. Her poems and essays appear in Massachusetts Review, Strange Horizons, Poetry, Lady Churchill’s Rosebud Wristlet, Kenyon Review, and other magazines. Wheeler is Poetry Editor of Shenandoah and lives in Virginia.

     

 

Wednesday, December 9, 2020

The Pleasures of Reading, Viewing, and Listening in 2020

2020, I'm sure we can all agree, has been one hell of a year. I've been fascinated, throughout, with how the engagement each of us has with reading, listening, and viewing, has altered, for most of us have been reporting to one another about this. (And that, of course, has made me even more aware of just how important these activities are in the daily fabric of twenty-first century life.) For some of us, the difficulties we've faced have prompted us to dig deep into reading, for others of us it has meant losing this or that kind of focus and concentration. For me, it's been an uneven experience, often of extremes, which has made it almost impossible for me to predict what I might want to read a month from now (even as I'm busy placing holds on books at the Seattle Public Library). 

With that difference in mind, I'm especially pleased to announce that this blog's annual series of posts on reading, viewing, and listening is about to begin. Once again I've solicited pieces from a bevy of writers and critics to tell us what they particularly enjoyed reading, viewing, and listening to in the last year. This year's edition will include posts by Lesley Wheeler, Lisa Tuttle, Sarah Tolmie, Nisi Shawl, Tansy Rayner Roberts, Cheryl Morgan, and others. I'll be adding links below as I upload each new contribution, to provide a list for convenient reference. 

I hope you'll enjoy reading these as much as I do, and maybe even swell your ever-growing list of titles you want to read. Sometimes it seems that the volume of books published is so tremendous that it's no surprise that really wonderful work often slips below one's personal radar. And of course, this year, will be the added interest of seeing how or whether the difficulties of 2020 have affected others' reading, viewing, and listening pleasures.  

Part 1: Lesley Wheeler

Part 2: Som Paris  

Part 3: Lisa Tuttle

Part 4: Erin K. Wagner

Part 5: Holly Wade Matter

Part 6: Tansy Rayner Roberts  

Part 7: Margaret McBride

Part 8: Nisi Shawl 

9. Suzy McKee Charnas

10. Lee Mandelo 

11. Beth Plutchak

12. Sarah Tolmie

13. Kate Boyes 

14. Anya Johanna DeNiro

Part 15: Cesi Davidson

Part 16. Cheryl Morgan

 Part 17: Julie C. Day

Part 18: Christopher Brown

Part 19: Lisa M. Bradley  

Part 20: Kristi Carter

Part 21: Andrea Hairston

Part 22: Gwynne Garfinkle

Part 23: Alisa Alering  

Part 24: Susan diRende

Part 25: Rebecca Holden

Part 26: Nancy Jane Moore

Part 27: Mark Rich  

Part 28: Lesley Hall

Part 29: Christina M. Rau

Part 30: Cynthia Ward

Part 31: Eileen Gunn  

Part 32: Isabel Schechter

Part 33: Arrate Hidalgo

Part 34: Vandana Singh 

 


Sunday, November 15, 2020

Holly Wade Matter's Damned Pretty Things


 

 Aqueduct Press is pleased to announce the release of Damned Pretty Things, a debut novel by Holly Wade Matter, in both print and e-book editions. You can purchase it now from Aqueduct Press at www.aqueductpress.com.

Fortune is an itinerant musician without a past who braids memories into her hair. Maud is a sheltered small-town girl and an unwitting heir to the notorious McBride family magic. The two young women meet when Fortune is commissioned to bring Maud to a rich man whose grandson she cursed. United by their love of music and their hunger for the road, Fortune and Maud form a friendship…one that is threatened not only by Fortune’s mission but also by their mutual desire for a man called Lightning. 

 

 

Advance Praise

“Sweet as vanishing dreams, tender to the touch as new memories, wise as nursery rhymes, tasty as blueberry pancakes, Holly Wade Matter's Damned Pretty Things is a wondrous redemption tale of the triumph of love and friendship over pain and difference."
 —Nisi Shawl, author of Everfair and Filter House

"Damned Pretty Things is beautiful and wise, haunted and haunting. Sui generis. Brilliant. Enjoy."
 —Cynthia Ward, author of the Blood-Thirsty Agent series 

 

Reviews

 

This is a road trip story and a coming of age story and a love story and a buddy story and a fantasy. Two women set out on a trip involving a cursed family and other wonders, and they're pretty magical themselves, although in different ways. They quickly become friends, but that is in jeopardy when they both fall in love with the same man. It is primarily a novel of character, of course, given the premise, and it delivers two strongly likeable people whose world is enhanced by a good deal of subtle detail about the people they meet and the things that they see. I had never heard of the author before, but this was a very pleasant surprise, and I have no doubt we will hear of her again. The ending is bitter sweet.  
  —Critical Mass, Don D'Ammassa

Down-on-her-luck traveling bard Fortune meets the devil on the road and sells her soul for a magical guitar and a fast car. Well, sells her soul and her memories, though she didn’t really consent to that last part.

She travels from town to town, trying to scrounge enough money to buy food and maybe a decent place to sleep. Itinerant and listless and searching for her past, when she meets a strange old man with demands that Fortune deliver him a girl named Maud, Fortune accepts. How can she not, when he offers to pay off her debt to the devil once Maud is in his hands?

....Mystery and danger and friendship weave together like the ‘memories’ in Fortune’s hair. It’s sweet, and creepy, and funny, and wholesome, and in a summer of COVID, makes for a great road trip book (for the road trips none of us get to have right now).  (Read the whole review)
  — J.S. Fields, November, 2020

Wednesday, October 14, 2020

E-book Editions of Nine Books by Suzy McKee Charnas


  

 

I'm pleased to announce the release by Aqueduct Press of e-book editions of nine books by Suzy McKee Charnas. Among these, the collection Stagestruck Vampires and Other Phantasms (originally published by Tachyon Publications in 2000) has not previously appeared in an e-book edition. The other titles include the Sorcery Hall Trilogy, consisting on The Bronze King (1985), The Silver Glove (1988), and The Golden Thread 1989), as well as The Vampire Tapestry (1980), The Kingdom of Kevin Malone (1993), The Ruby Tear (1997), Music of the Night (2001), and My Father’s Ghost (2002).  You can purchase all of them now at www.aqueductpress.com.

 


  I've been a great fan of Suzy's fiction since the early 1980s, so it gives me particular pleasure that Aqueduct can now offer e-book editions of so much of her work. The Vampire Tapestry (1980) is one of those books that I every now and then just have to reread. Here are some of the pull-quotes we've found for it:

 “Probably the best vampire novel ever written.” 
  —Oxford Times

“…Charnas’ view of her protagonist is unswervingly unsentimental, and…her denouement is savage and intense and brilliantly satisfying.

“…Charnas’ writing is also rich and impressive: she seems equally at home on a college campus, in the office of a professional therapist, in the emotions of a 14-year-old boy, and in the music and story of Tosca. The novel works on many levels — as pure adventure, as social description, as psychological drama, and as a passionate exploration of the web that links instinct, morality, and culture. It is a serious, startling, and revolutionary work, and I recommend it to all comers.” 
  —Washington Post

“Told in five interlocking novellas that form a single chronological narrative, this is the story of a seemingly immortal figure… His academic specialty is dream research, but his true nature compels him to seek intimacy with ‘colleagues, students, and social companions’ who then become his admirers and eventually his victims.

“…It’s a fascinating conception, handled with masterly skill. Charnas’ characters are boldly drawn and memorably complex, her prose is alive with energy and wit, her narrative inventions ingenious and atmospheric. Nothing better has been done in this, er, vein since Bram Stoker’s legendary Dracula in 1897. And, as a pure piece of writing, Charnas’ deeply intelligent, disturbing novel may actually be the superior book.” 
  —USA Today


 
Suzy hasn't written a huge amount of fiction in shorter form, but it's all intensely engaging and memorable. Most of it is collected in Stagestruck Vampires and Other Phantasms. 

“In ‘Listening to Brahms’ Charnas proves that she can take global tragedies and extract the most minute yet potent seed of hope from the rubble. Three linked stories comprise a nuanced portrait of her vampiric antihero Dr. Weyland. With its Leiberesque love affair with the stage, this entertaining volume deserves to run as long as Cats.” 
  —Asimov's SF, Paul di Filippo

“An intoxicating mix of exhilaration and terror…every story will have an effect on your psyche, thanks to Charnas’ magnificent style. Her writing is almost poetic in its beauty, but damning in its subject; similar to chocolate-covered arsenic. “ 
  —Horror-web.com


Another, slimmer volume collecting Suzy's short fiction is Music of the Night. These four tales of mythic monsters, who embody our deepest and most secret desires, evoke wilderness and wonders lurking below the familiar surfaces — splendid, coarse, or startlingly every day — of modernity.

“From the moment of reading the ‘true’ story of the Phantom of the Opera…I was drawn into a deep, dark, yet highly erotic world that Suzy Charnas brings to life. I enjoy reading all things paranormal, but this book delves deep into the emotions of the characters… Each story is deep, slightly dark, and on some level it hits where we think our darkest thoughts, though most of us never act upon them. Suzy Charnas has tapped the deepest parts of our lives and brought them out in these stories… What a wonderful collection, that I recommend to anyone who wants something different!” 
  —In the Library

“The Hugo winning, Nebula nominated short story ‘Boobs’ is one story I find myself re-reading over and over again. …a young girl, having come of age over summer break, begins 8th grade and is ridiculed for her new adult body by her fellow students… This story is so well written that I found myself cheering her on as she gets revenge against the immature boys she has to go to school with.” 
  —Fantastic Reviews

 

 The Kingdom of Kevin Malone is YA Fantasy:  Amy, brooding on a family crisis, retreats to Central Park—from the frying pan straight into the fire! Out of her past swoops her old arch-enemy Kevin Malone, the neighborhood punk who used to bully her. Angrily chasing him now through an arched passage under a park roadway, she emerges into another world. Kevin's feverish imagination has transformed Central Park into the Fayre Farre, a land of danger, magic, and heroic adventure. Here, among castles, elves, monsters, wild men, battles, and prophecies, Kevin is a Prince and a legendary champion. He's also still a self-centered jerk with a chip on his shoulder, and he's lost control of his magnificent creation: chaos and destruction are sweeping the land. Despite Kevin's bravado, Amy sees that he desperately needs her help. Will she risk her life in such a thankless job, or just leave him to sort out his own mess? And either way, where will that leave her?

“…the author’s sly digs at the heroic fantasy genre are on the mark, and Kevin makes an unusual hero. He's whiny, sullen, and self-centered, but also a tragic figure with a nascent sense of responsibility… Readers can sift through the whimsy for serious themes or not, as they choose.” 
  —School Library Journal

“…a perfect example of the mixing of genres (contemporary fiction and high fantasy)… Underneath the plotline…is the more serious story of the protagonist's coming to terms with her favorite cousin’s death, and it's the touching way Charnas handles that story, along with her engaging characters and smooth prose, that makes this novel so successful…” 
  —Mystery Scene

 

 The Ruby Tear is a standalone novel originally written under the pseudonym of Rebecca Brand. 

The Ruby Tear is a fun contemporary vampire story revolving around a theatrical production entitled “The Jewel.” The author, Rebecca Brand, writes smoothly and plays well with the conventions of the gothic, which isn’t too surprising when one realizes that Ms. Brand is a pseudonym for Suzy McKee Charnas, who obviously enjoyed writing this book. You’ll enjoy reading it.” 
  —Magazine of Fantasy & Science Fiction

“A highly theatrical novel about highly theatrical characters…There’s some comfortably warm sensual writing, as well as a candid treatment of real sex. Characters who at one time came across as not terribly deep gain another level of interest. And the climax of The Ruby Tear will modestly rip your heart out.” 
  —Locus

 


My Father's Ghost is Suzy's memoir of her father. 

“From [Suzy] Charnas, a true and tender account of caring for her aging father from the time of his truculent arrival at her home to his irascible last illness and death… The author makes good use of entries from [her father’s] journals, full of amusing, brittle, sad, and hopeful anecdotes and musings, epigrams, and reflections on art and life…to capture the mix of guilt, longing, impatience, and empathy that characterizes their relationship. Anyone who has cared for aging and ill parents will recognize and perhaps be comforted by this frank delineation of the mixed emotions called up by the death of a father.” 
  —Kirkus Reviews

“…a moving, thoughtful… never sentimental account of how daughter and father get to know each other in middle and old age…Robin’s unique combination of eccentricity and strength speaks for itself… Charnas’ story is bound to be a guidebook and an inspiration for anyone caring for aging parents.” 
  —USA Today

 

And finally, we have the Sorcery Hall Trilogy.What if your home town was invaded by wild magic spilling over from a sorcerers' war on distant battlefields? What if no one notices or realizes what's happening, but magic wakes and sings in your own blood, and unlikely warriors seasoned in an ancient struggle demand your help. What if you were born to be one of them? This is the story of Valentine Marsh, a New York kid faced with the call of an impossible destiny; of her divided family, her enemies both home-grown and far-flung, and her awed and unlikely fellow-adventurers who, with Val in the lead, battle their way to the lofty gates of Sorcery Hall. 

 


  The Bronze King: Sorcery Hall Book 1.

As a teenager, music — on radio and records — was the unfailing touchstone to my true, inner feelings. This story of heroes, punks, a dragon, and a girl fighting for her city’s life alongside a violin prodigy and a street fiddler (aka, ancient wizard) is my tribute to the power of music and those who make it.

“…A breathless and fast moving fantasy… The details are exactly right, from the wizard as busker, to the three messengers of evil as young hoods in jackets emblazoned ‘Prince of Darkness’, to a splashing, roaring final showdown…in Central Park…” 
  —Library Bulletin

“The tensions and startling switches in developments, as well as the author’s realistic evocations of metropolitan life, result in an unforgettable novel.” 
  —Publishers Weekly 

 


The Silver Glove: Sorcery Hall Book 2

“…sinister Dr. Brightner…is installed as the new school psychologist the same day Val’s magic Gran runs away from her nursing home. A renegade wizard, Brightner is after souls, and he’s been trying to get Gran to his clinic for ‘research.’ Val is horrified to find that he is trying to seduce her mother, who has long denied Gran’s magic and doesn’t see the threat. This is a book to relish: told in Charnas’s nearly perfect first-person narration, Val’s engaging personality of savoir-faire and innocence is judiciously mixed with a flying carpet, a deliciously scary Indian witch and a wonderful final confrontation in Central Park.” 
  —Publishers Weekly

“Charnas excels at making magic a believable part of her city, and her characters real city dwellers…magic is well handled: the good forces can’t use their magic directly against the evil Dr. Brightner and his minions, but must turn Brightner’s own attempts to hurt them back on him. It’s a clever, believable book.” 
  —Locus


 The Golden Thread:
Sorcery Hall Book 3

“With her beloved sorceress grandmother in a coma and hospitalized, 14-year-old Valentine Marsh…is assigned to assist a strange foreign exchange student, Bosanka, who reveals that she is a powerful, magical ruler of another world and…demands that Val and her friends use their power to find her misplaced subjects. Val fears Bosanka’s people may subdue and misuse humankind, yet she dreads to refuse the royal commands.

“Charnas shows the adventures of a typical high-school girl who just happens to have inherited some degree of white magic talent. In so doing, she touches on a host of contemporary issues, the most important of which is her ecological message that we are one people and must use technology to preserve the earth rather than destroy it. If all this seems a ‘stretch,’ it isn’t. Charnas neatly ties seemingly disparate pieces together into an exciting, absorbing, contemporary romp.” 
  —School Library Journal

“The third in Charnas’s series about a girl gifted with wizardly power in contemporary Manhattan, this may be the best. The characters are real, and the struggle between good and evil transcends the usual clichés.” 
  —The Magazine of Fantasy and Science Fiction


Monday, October 12, 2020

Raven Nothing by Som Paris


 

I'm pleased to announce the release, in both print and e-book editions, of Raven Nothing, a debut novel by Som Paris. It's available now from Aqueduct Press at http://www.aqueductpress.com. Read a sample from the book.

Raven, a trans girl from south London, wakes on a piece of ice floating on a frozen ocean. Adap, who has lived his whole life in a dying village just off the coast, finds her and brings her home. When she is told she must travel to the Golie Mountains, at the center of the world, Adap volunteers to take her. Together they navigate around a resurgent soviet-esque state that is at war with an ancient culture of gender-wild shamans. As they travel, she realizes that there is no one in this magical world who is not black, like her, and that every place they go seems uncannily familiar. 

 Anya Johanna DeNiro, author of Tyrannia and Total Oblivion, More or Less, writes: "Raven Nothing is a portal story desperately needed for our times. Raven, the protagonist, is a “crossover” in more ways than one, and the novel reveals how these different crossings—with gender, space, and psychology—intersect. Urgent, poignant, and lyrical, Raven Nothing expands the possibilities of fantasy literature."

"Paris successfully builds the tension with descriptions of the strange, monstrous creatures populating this off-kilter world and moments of high-stakes danger for the protagonists—as when a nefarious shaman drugs Raven and Adep. The worldbuilding boasts well-developed political structures and intercultural conflict, and the all-Black cast shines. Paris’s sensitive approach to both race and gender is sure to impress; readers will be excited to see what this promising author does next."   (Read the whole review)
  —Publishers Weekly, Sept 2020


Tuesday, September 15, 2020

Hal Y. Zhang's Goddess Bandit of the Thousand Arms

 

I'm pleased to announce the release of Goddess Bandit of the Thousand Arms, in both print and e-book editions, as the seventy-seventh volume in Aqueduct's Conversation Pieces series.You can read a sample of the book or purchase a copy (or both!) now at www.aqueductpress.com.

Women with knives and loves travel through time and space in Goddess Bandit of the Thousand Arms, the first full-length collection of Hal Y. Zhang. In personal, lingering poems and a short story, Goddess Bandit details the ways—fantasy, escape, insurrection, deification, transcendence—women and often unheard voices can overcome oppression and become bright lights against the darkness.

 

Friday, August 14, 2020

Sarah Tolmie's Disease

 

I'm please to announce the release of Disease, a fiction by Sarah Tolmie, as the seventy-sixth volume in our Conversation Pieces series, in both print and e-book editions. 

Bodily life is an uneasy business. The terror of disease is a ubiquitous one. New diseases are being discovered all the time. This book collects twenty contemporary diseases — privacy, for example, or innovation, or involuntary compassion — and presents their primary symptoms and etiologies. It presents sufferers’ anecdotes: Owen wakes up one day made of glass. Deirdre is allergic to tourists. A middle-aged diabetic is haunted by the feet of a Kurdish refugee child. Apples develop a persistent tremor, and peanuts plot underground. Human resilience is tested in dramatic new ways in Disease

You can purchase it now from Aqueduct at  http://www.aqueductpress.com.

Thursday, May 21, 2020

The WIsCon Chronicles, Vol. 12



I'm pleased to announce the release, in conjunction with WisCONline, of the twelfth volume of the WisCon Chronicles, Boundaries and Bridges, edited by Isabel Schechter and Michi Trota. It's available now in both print and e-book editions at www.aqueductpress.com.

 Read a sample from the book.


The twelfth volume of The WisCon Chronicles explores our understanding of boundaries and bridges, and what they mean for us as individuals and for our communities. This collection includes essays from first-time WisCon attendees and former Guests of Honor, fans and Tiptree/Otherwise Award-winning authors and editors, cis het and LGBTQ+ attendees, affluent and less well-off, abled and disabled, white and POC, young and old, parents and child-free, English speakers and Spanish speakers, and hopefully more than just these categories can capture.

Structural changes in the convention that break down barriers to attendance and participation are important, and some of the essays recount the process and struggles of creating space and programming for POC attendees, access for disabled attendees, and affordability for all attendees. The words we use matter, as essays that talk about feminist terms, gendered language, and even the name of the Tiptree/Otherwise award (which is almost inextricably identified with WisCon) demonstrate. The definition of “community” is also examined, both within WisCon and beyond, as it spills out into the wider world — including online spaces.

CONTRIBUTORS

Jess Adams • Charlie Jane Anders • Nancy Bird
Kristy Anne Cox • Katherine Alejandra Cross
Alexandra Erin • Nivair H. Gabriel • Sarah Gulde
Lauren Jankowski • Inda Lauryn • Elise Matthesen
Gabriela Damián Miravete • Chimedum Ohaegbu
Otherwise Board • Julia Rios • John Scalzi • Nisi Shawl
Monica Valentinelli • G. Willow Wilson

Wednesday, May 20, 2020

Cassandra Rose Clarke's Sacred Summer




I'm pleased to announce the release of Sacred Summer, a novella in verse, by Cassandra Rose Clarke, in both print and e-book editions. Sacred Summer is the seventy-fifth volume in Aqueduct's Conversation Pieces series. You can purchase it now at www.aqueductpress.com.


In the empty halls of a house on the edge of the woods, a dancer faces the aftermath of a career-ending injury and subsequent divorce. Twenty years earlier, on the land where her house would be built, two boys died violently and mysteriously while recording a music video for their band, leaving one survivor. Something sleeps in the woods beyond the house, and when the dancer finds the last musician, it will start to wake…

 Read a sample from the book.

 Read "Ballet, Suburbia, and Death Metal: An Interview with Cassandra Rose Clarke" by T.D. Walker here.

Friday, May 15, 2020

Lesley Wheeler's Unbecoming


I'm pleased to announce the release of Lesley Wheeler's debut novel, Unbecoming, from Aqueduct Press in both print and e-book editions. Readers may remember the author's Conversation Pieces volume The Receptionist and Other Tales (2012), which appeared on the Tiptree Award Honor List. The book is now available through Aqueduct's website: www.aqueductpress.com.


 Read a sample from the book.

What if women gained uncanny power at middle age? In Unbecoming, Cyn’s family is shattering, and she is at war with her own body. Then, when her best friend flies off on a mysterious faculty exchange program, a glamorous stranger takes her place—Fee Ellis, a Welsh poet who make it all look easy. But it may be costly to welcome this charismatic outsider to their little college town. Cyn’s best friend, meanwhile, communicates only in ominous fragments.



Advance Praise

“Lesley Wheeler’s Unbecoming is a delightful, beautifully written 21st-century gothic novel set at a Virginia university and also in the borderlands between the literal and the metaphorical, between the realistic and the fantastic. Like all universities, this one is a school for wizards and conjurers. Professors offer portals to undiscovered countries and enchanted lands. Portals lead to demons and horror and death too. Cynthia has recently become English Department Chair. She’s perimenopausal and coming into her blood-magic, witch woman power. The English Department is a tiny realm, fighting other more powerful realms at the University that would swallow any beleaguered humanities discipline. How do we survive each other, resist the demons or easy escape to a deadly realm that could destroy us? How do we conjure a path to the world we want? Lesley Wheeler says, ask the poets and the painters!”
 —Andrea Hairston, author of Will do Magic For Small Change and The Master of Poisons

“The story of a woman leading an ordinary life who discovers within herself extraordinary powers, Unbecoming is sage, funny, and warm, like a long conversation with your best friend about all the strange and wonderful things that have been happening to her lately. Lesley Wheeler’s writing is so deft and magical that I’m convinced that she must have learned it from the fairies. This smart, beguiling debut fantasy casts a spell that readers won’t want to break.”
 —Emily Croy Barker, author of The Thinking Woman’s Guide to Real Magic and How to Talk to a Goddess

 

Reviews

A middle-aged college professor taps into her magical ability in the midst of personal and professional chaos in this excellent feminist fantasy from Wheeler (The Receptionist and Other Tales). Cynthia’s world is falling apart. She’s suffering through hot flashes, her husband’s off in North Carolina, her teenage children are testing their wings, and her best friend, Alisa, has left on a mysterious faculty exchange program with a remote college in Wales. Stepping into Alisa’s professorial role at Cynthia’s small liberal arts college in Virginia is the oddly charismatic Sophia “Fee” Ellis, whose strange behaviors (sleeping outside, causing dogs to bark, looking right at anyone whispering about her even when she couldn’t have overheard) quickly become the talk of the English Department. As the bizarre happenings around Fee grow more extreme and Alisa proves impossible to reach, Cyn realizes that everything she wishes for, intentionally or no, seems to be coming true. Cyn will need help to understand what’s happening to her, but can she trust the secretive Fee for guidance? Wheeler’s prose is gorgeous and her characters are marvelously detailed. Cyn is by turns sarcastic and serious but always empathetic, and the mysterious Fee is surprisingly down-to-earth for all her arcane knowledge. Readers will be taken with this powerful and deeply satisfying tale. (Starred Review)    —Publishers Weekly, April 2020

Lesley Wheeler is an accomplished poet and a named professor at Washington and Lee, so it probably shouldn’t be a surprise that her first novel is peppered with striking language (‘‘She was already a ghost of linen and warm air’’; kids ‘‘flock and wheel’’) and shrewd portraits of some familiar denizens of academia. Wheeler’s major previous venture into fantasy, the narrative poem ‘‘The Receptionist’’ (in The Receptionist and Other Tales, also from Aqueduct Press) cleverly and at times hilariously borrowed the language of high fantasy to describe academic politics and misbehavior, and it not only ended up on the Tiptree honor list, but drew praise from the likes of Ursula K. Le Guin and Gwyneth Jones. Her first novel, Unbecoming, is also framed largely as a satirical academic tale, but one leavened with more than a bit of witchery and magic, principally the notion, which begins to haunt the narrator, that certain women entering middle age somehow develop magical powers. We’re told early on that Cynthia (or Cyn) Rennard, the chair of English at a respected Virginia university, is perimenopausal (a condition which she describes as ‘‘more taboo than serial killings, less plausible than vampire tales’’), and not long afterward she seems to psychokinetically prevent a car from striking her teenage son. Of course, she begins to wonder if there might be a connection

But there are broader hints of mythical pow-ers afoot. Cyn’s closest friend Alisa is off to Wales on an exchange professorship, and the Welsh professor who arrives in her place is a rather mysterious and glamorous figure named Sophia Ellis, who settles in a bit too quickly and enthralls fellow faculty, to the point where one eventually proposes to her. Not too subtly, she calls herself Fee (and later we’re reminded that Cynthia’s last name, Rennard, also carries some folkloristic weight, underlined when she decides to dress as a fox to attend a costume party being thrown by Fee). Meanwhile, Alisa’s increasingly sparse communications from Wales begin to take on a vaguely ominous tone, while some odd little watercolors in Alisa’s house – now occupied by Fee – seem to assume some magical, portal-like qualities. And Cyn’s own possible ‘‘blood magic’’ (as Fee calls it) apparently begins to have darker results. Is Fee in fact a ‘‘changeling professor,’’ as her local nickname has it? Is Cyn’s blood magic real, along with the hints of shape-shifting and portals to other realms? --Gary K. Wolfe, Locus, May 2020

Monday, April 13, 2020

Award annoucements

This weekend two awards we're particularly fond of were announced.

Congratulations to Sarah Pinsker, whose Sooner or Later Everything Falls into the Sea was awarded the Philip K. Dick Award, and to Sarah Tolmie, whose The Little Animals was awarded a special citation. Here's the official press release:

April 10, 2020
For Immediate Release

2020 Philip K. Dick Award Winner Announced

It was announced on Friday, April 10, 2020 at Norwescon 43, in (virtual) SeaTac, Washington,
that the winner for the distinguished original science fiction paperback published for the first
time during 2019 in the U.S.A. is:

SOONER OR LATER EVERYTHING FALLS INTO THE SEA: STORIES by Sarah
Pinsker (Small Beer Press)

Special citation was given to:

THE LITTLE ANIMALS by Sarah Tolmie (Aqueduct Press)

The Philip K. Dick Award is presented annually with the support of the Philip K. Dick Trust for
distinguished science fiction published in paperback original form in the United States. The
award is sponsored by the Philadelphia Science Fiction Society and the award ceremony is
sponsored by the NorthWest Science Fiction Society. The 2019 award was given to THEORY
OF BASTARDS by Audrey Schulman (Europa Editions) with a special citation to 84K by Claire
North (Orbit).

The judges for the 2020 award were Thomas A. Easton, Karen Heuler, Mur Lafferty, Patricia
MacEwen (chair), and James Sallis. This year’s judges are F. Brett Cox, Brendan DuBois, Cynthia Felice, Tim Pratt, and Jessica Reisman.

The virtual award ceremony can be found online at:
https://www.norwescon.org/con/p-k-dick-award/

For more information, contact the award administration: Gordon Van Gelder (201) 876-2551,
John Silbersack (347) 787-7445, and Pat LoBrutto (301) 460-3164

For more information about the Philadelphia Science Fiction Society, http://www.psfs.org/:

The second award announced was the Otherwise (previously known as the James Tiptree Jr.) Award. And for this award, congratulations go to to Akwaeke Emezi.
 
Here is Pat Murphy's email announcing the award:

Right now, we seem to be living in a dystopian science fiction future. Despite that, the Otherwise Award (originally the Tiptree Award) is still here —  still searching the world for speculative works that challenge us to think in new ways about gender. We are still celebrating those creators who are inventing new and better futures (which the world certainly needs right now). 

I am pleased to announce the winner of the 2019 Otherwise Award: Freshwater, by Akwaeke Emezi

“Akwaeke Emezi's Freshwater is beautiful, complicated, magical, challenging, and sometimes vividly cruel,” writes juror Edmond Y. Chang. “Told from multiple, overlapping, and often conflicted perspectives, the novel tells the story of Ada, who is caught between worlds, trying to navigate family, education, migration and immigration, Catholicism and Igbo spirituality, and what it means to be a self, a person.  The novel does not shy away from explorations of gender nonconformity (particularly for people of color), sexuality, toxic masculinity, race, mental illness, and trauma.  There are no easy paths or answers for Ada (or the reader), and therefore the novel imagines alternative, even radical forms of identity and most importantly survival.”

The 2019 Honor List celebrates nine exceptional and thought-provoking works:  

For the jury's comments on all these works, please visit the Otherwise Award website. The Award winner and Honor List often become my reading list for the next year. If you need a break from the daily news barrage, from tending to the needs of family, from worrying about the state of the world we live in, from sewing face masks (my current preoccupation), consider allowing yourself some time to read and explore other worlds. 

As always, if you spot a work of fiction that you want to call to the attention of the 2020 judges, please post it on the recommendation page of the Award website. We count on the community to let us know what's out there. On the website, you can also read more about past winners and donate to help fund the award. (We count on the community for that too.)

I'd like to commend the 2019 jury (Debbie Notkin, Mariana Calderon, Edmond Y. Chang, Trish Salah, Bogi Takács.) for completing their task during such difficult times. The Award only exists because of  the support of our community. Thank you all. 

Yours, 

Pat Murphy
For the Otherwise Award Motherboard


PS We are working on plans for a  (possibly virtual) celebration of the winner and the Honor List. The winner will receive $1000 in prize money, a specially commissioned piece of original artwork, and (of course) chocolate.

Tuesday, March 17, 2020

The Cascadia Subduction Zone, 10, 1





The new issue of The Cascadia Subduction Zone is out. This issue includes short fiction by Gwynne Garfinkle, poetry by Colleen Anderson, A.L. Blacklyn, and T.D. Walker, a Grandmother Magma column by Pat Murphy, Karen Burnham's Dust Lanes column, and reviews of books by Arley Sorg, Misha Stone, and others. This issue's featured artist is Ruby Rae Jones. You can purchase single issues ($3 for a pdf or $5 for a print issue) and 4-issue subscriptions ($10 for an electronic subscription or $16 for both print and electronic subscription) at http://thecsz.com/.





Vol. 10, No. 1 (2020)Vol. 10 No. 1 — 2020

Flash Fiction
We Gotta Get Out of This Place
   
by Gwynne Garfinkle
Poems by
Colleen Anderson
A.L. Blacklyn
T.D. Walker

Grandmother Magma
Eleanor Arnason’s
Daughter of the Bear King

   reviewed by Pat Murphy

Dust Lanes
Short fiction reviews
   by Karen Burnham

Book Reviews
The Rampant
by Julie Day
   reviewed by Arley Sorg
Meet Me in the Future
by Kameron Hurley
   reviewed by Laura A. Gilliam
The Future of Another Timeline
by Annalee Newitz
  reviewed by Misha Stone

Sisters of the Vast Black
by Lina Rather
  reviewed by Joanne Rixon

Featured Artist
Ruby Rae Jones

Tuesday, March 10, 2020

Lambda Award Science Fiction/Fantasy/Horror Finalists

Congratulations to Marlon James, Rivers Solomon, Daveed Diggs, William Hutson, Jonathan Snipes, Jac Jemc, Samantha Shannon, Julie C. Day, Craig Laurance Gidney, Matthew Bright, and Nina McLaughlin, this year's finalists for the Science Fiction/Fanasy/Horror category of the Lambda Award! We are, of course, honored that a volume in Aqueduct's Conversation Pieces series, The Rampant, by Julie C. Day made this very fine list.



Here's the list:

Finalists will be celebrated and winners will be announced at the Awards Ceremony hosted by Saturday Night Live’s Bowen Yang the evening of Monday, June 8, 2020 in New York City.

Monday, March 2, 2020

Jean LeBlanc's Ancient Songs of Us




I'm pleased to announce the release of Jean LeBlanc's Ancient Songs of Us, a new collection of poetry, as the seventy-third volume in Aqueduct's Conversation Pieces series. It's available now in both print and e-book editions through Aqueduct's website (http://www.aqueductpress.com).


Read a sample from the book.


The poems in Ancient Songs of Us suggest that no song is “ancient,” that every story crosses time and transcends place to remind us what it means to be human. Love, hatred, fury, longing, ennui, sadness—these states of heart and mind in all their nuance hues overflow from these poems.

Monday, February 24, 2020

Cynthia Ward's The Adventure of the Naked Guide




I'm please to announce the release of The Adventure of the Naked Guide by Cynthia Ward as the seventy-fourth volume in Aqueduct's Conversation Pieces series.It is available in both print and e-book editions on Aqueduct's website (www.aqueductpress.comhttp://www.aqueductpress.com/books/978-1-61976-179-7.php)..



The Adventure of the Naked Guide is the third novella in the author's Blood Thirsty Agent series.
The earth is hollow—a trackless primordial wilderness. It's also the new front in the Great War. Here, the British spy Lucy Harker—Dracula's daughter—must locate Britain's missing vampire slayer—her own mother. Then she's separated from her lover, the vampire spy Carmilla and captured by Germany's most brilliant scientist, the sinister Dr Krüger. Now, Agent Harker may discover her most dangerous opponents are on her own side.


Cynthia Ward’s Lucy Harker novellas give the modern reader an updated frolic through avant-garde genre fiction, a frolic frosted with a myriad of clever fandom-esque references sure to delight adventurous readers.  (Read the whole review)
  —Tangent Online, Michelle Ristuccia,  February 14, 2020