Showing posts with label Kristin King. Show all posts
Showing posts with label Kristin King. Show all posts

Sunday, January 5, 2025

The Pleasures of Reading, Viewing, and Listening in 2024, pt. 26: Kristin King

 


 

 

A Few Pleasures of 2024

by Kristin King

 

 


I inhaled The Melancholy of Untold History by Minsoo Kang. It was marvelously simple in appearance, but complex in structure, emotion, and intellect. Kang interweaves four connected narratives from different millennia: a myth about four gods, the misfortune that befalls a storyteller, a political intrigue, and a bittersweet relationship between a grieving historian and his colleague. The stories connect backward and forward in time, and events in one story shed new light on all the others. I read each new connection with growing delight. Kang is a history professor and the son of a diplomat, with a love of rigorously fact-checked historical study and an equal but opposing love of inventing stories. As he explains, “What I ended up doing is I created an entire fictional country that greatly resembles China, but it also has elements of it from Korea, Mongolia, Manchuria and so on.” (https://blogs.umsl.edu/news/2024/09/16/minsoo-kang-publishes-debut-novel/) The land may be fictional, but it reveals a deep understanding of history, politics, and people. So it’s an accurate history of yesterday, today, and tomorrow. If you’re off on a trip to the uncertainty of 2025, be prepared. Pack this book.


The Invention of Hugo Cabret
by Brian Selznik was a surprise find this year. I came home in the pouring rain one day to find it standing up in our rockery, undamaged, without its cover. I put out a sign asking if someone had lost their book. The next day, the cover was there in the rockery. It was a big book, and I don’t have the space, so I put it in a nearby Little Free Library. A few more days passed, and the book kept staring at me. I gave up, took it home, and read it. Magical. It demands to be read on its own terms, not only as a book, but also as a silent film. A boy lives in a train station winding the clocks and stealing clockwork mechanisms, and then . . . well, the book is big and I don’t have space, but I can’t give it up. The moral of the story: beware of books you find in rockeries. 

 


I reread Escape to Witch Mountain by Alexander Key this year because it left a big impression when I was a child with undiagnosed autism. Two children lose their caregiver and are sent to a foster home, where they try and fail to mask their differences, like hyper-empathy and mutism. This opens them up to bullying and violence and starts them off on a journey to find out what they are and where they belong. I will give a content warning for the ignorant use of a racial slur for the Roma people, which marred an important scene. Aside from that, the book felt incredibly validating, both then and now.

Doctor Who kicked off last year with the superb Ncuti Gatwa showing up in his underwear. That’s the best-dressed any Doctor has been after their regeneration! He is also the most emotionally mature Doctor so far, able to cry openly when sad and to explain complex emotional difficulties to his traveling companions. Many of the episodes were madcap fun, and some were utterly heartbreaking. Unfortunately, Disney acquired international distribution rights to Doctor Who in 2022, and while the corporation doesn’t have direct control over the show, I’ve noticed what seems like a Disney-flavored aesthetic, with too much showiness and too much mandatory happiness at times. I’m apprehensive at what’s to come. 

 

Kristin King (http://kristinking.wordpress.com) is a writer, parent, and activist who lives in Seattle. Her work has appeared in Strange Horizons, Calyx, The Pushcart Prize XXII (1998), and other places. Two of her stories appeared in an Aqueduct Press anthology, Missing Links and Secret Histories: A Selection of Wikipedia Entries Lost, Suppressed, or Misplaced in Time. A selection of her short fiction has been collected in Misfits from the Beehive State.

Wednesday, January 3, 2024

The Pleasures of Reading, Viewing, and Listening in 2023, pt. 28: Kristin King

 


 

Pleasures 2023

by Kristin King

 

 

 

 

 

Time Travel: Can You Change the Past?

Everything we are today, and all our joys and griefs, came out of the past. But we can’t ever visit it—physically, that is. I’ve spent a bit of time this year as a historical voyeur, specifically looking at primary sources about the events and people that precipitated the disastrous 1924 split of the Industrial Workers of the World. Two sides emerged, each blaming the other, but I have a secret superpower. I can consult the historical record to see what the various actors did with the rest of their lives. (As an aside to Bowerman, I’m coming for you.) I’d dearly love to travel back in time and fill in the gaps in my knowledge.

Without further ado, here are four works of time travel that I have enjoyed this year.

 

Speculations by Nisi Shawl


When I look at the cover of this book, I see wonder, wisdom, and intelligence. The protagonist, Winna Cole, seems to be looking straight at me with something very important to say. Pure magic. And yes, you can judge this book by its cover.

The past appears to be gone, yet it holds so much sway for us. We love it, we want it, and we can’t have it. It’s mysterious and unreachable. But what if. . .

That’s the magic of the book. What if? Wearing her great-aunt Estelle’s glasses, if Winna speculates twice, magic happens. It’s a simple rule, much like the rules of magic in Edward Eager’s books that I loved as a child. What if I could go back in time as a child and find this book in the library? A brand-new Edward Eager, only better. Winna uses her magic to see her family’s past and unlock a deeply hidden secret.

The time travel here is a “look, don’t touch” variety. Winna can see the past but not change it. What she can do is use her newfound understanding to make the present and future a better place.  

 

The Rise and Fall of D.O.D.O. by Neal Stephenson and Nicole Galland


This was an entertaining read about a military-funded time-travel project that depends on bringing witches forward in time from the past. What could go wrong? Well, from the title, we already know the project is doomed. The fun part is finding out how. The initial assignment for Melisande Stokes, linguist turned time traveler, is to steal a copy of a rare manuscript from Puritan America, with the catch being the she must arrive and depart naked. While she does procure a corset, it’s too loose, and hijinks ensue. Another favorite moment: when Vikings invade Wal-Mart to prepare for a search for El Dorado.

Can you change the past in this universe? Somewhat, but time fights back, the way jello does. It needs coaxing, bribes to witches, repeated efforts, and definitely not the military. 

 

Gods, Monsters, and the Lucky Peach by Kelly Robson


This was a fun adventure and an interesting treatment of colonialism. The premise here is that time travel cannot change the past--or at least that’s what the government says. Because if you could change the past, you could stop the environmental devastation that our protagonist, a river ecologist named Minh, has been trying to heal. But once time travel was invented, funds dried up for her restoration project, and she ends up joining an expedition to the past in the timeship Lucky Peach to study rivers of the past. She’s been assured that her tour guide has a zero fatality rate, though only the tour guide knows what that means. When the locals spot this monster, hostilities begin. 

 

Doctor Who: “The Church on Ruby Road”


From now on, Doctor Who streams in the U.S. on Disney Plus now, and that worries me. To what extent does that give Disney editorial control over the show? We will see.

Ncuti Gatwa gave a dazzling performance, with an emotional range all the way from glee to tears of grief. I hope we get to see anger as well, because I feel we really missed out on anger when Jodie Whittaker was the Doctor, and anger has power. The showrunner and writers seemed to treat Jodie Whittaker differently than male Doctors, and I speculate they may treat Ncuti Gatwa differently than white Doctors. We will see.

This episode, and the specials that preceded it, seems to be exploring the chaotic nature of time travel. In older Doctor Who stories, a building would burn to the ground, but it’s OK, because it matches our (the viewers’) recorded history. The past is being put right. But with this episode, trips to the past bring changes that oppose our recorded history and yet still stick. I’m fascinated to see how it turns out.

 

 


Kristin King (http://kristinking.wordpress.com) is a writer, parent, and activist who lives in Seattle. Her work has appeared in Strange Horizons, Calyx, The Pushcart Prize XXII (1998), and other places. Two of her stories appeared in an Aqueduct Press anthology, Missing Links and Secret Histories: A Selection of Wikipedia Entries Lost, Suppressed, or Misplaced in Time. A selection of her short fiction has been collected in Misfits from the Beehive State.

Thursday, January 2, 2020

The Pleasures of Reading, Viewing, and Listening in 2019, pt. 26: Kristin King

The Pleasures of 2019: A Short List 
by Kristin King 






 
If I could just pick out four works this year to recommend, they would be:


In the Quiet Spaces by C. E. Young. This book is pocket-sized and goes with me 'most everywhere, and it always tells me something I need to hear. I’d explain it, but God is not in the explanations.


Talk Like a Man by Nisi Shawl. The story “Women of the Doll” takes an unforgettable superhero through her paces, and the essay “Ifa: Reverence, Science, and Social Technology” has given me hefty food for thought about how people make community.


The Expanse (novel series) by James S.A. Corey went through our family like the flu, one by one succumbing and losing hours, maybe days, at a time. I’ll never feel the same way about gravity again.


Exhalation by Ted Chiang gave me solace when I needed it most. Chiang had me at the story “The Merchant and the Alchemist’s Gate,” which mixes the fairy-tale setting of the Arabian Nights together with time travel to create philosophical breakthroughs. One way or another, all his stories are that way.





Kristin King (http://kristinking.wordpress.com) is a writer, parent, and activist who lives in Seattle. Her work has appeared in Strange Horizons, Calyx, The Pushcart Prize XXII (1998), and other places. Two of her stories appeared in an Aqueduct Press anthology, Missing Links and Secret Histories: A Selection of Wikipedia Entries Lost, Suppressed, or Misplaced in Time. A selection of her short fiction has been collected in Misfits from the Beehive State.

Sunday, December 23, 2018

The Pleasures of Reading, Viewing, and Listening in 2018, part 21: Kristin King



Pleasures 2018
 By Kristin King


 Let’s be honest: this world is all messed up and backwards and inside out. My favorite works this year challenged my perceptions of the universe and especially of human society. By way of explanation, I’ll throw you directly into the pages of my first recommended work, The Gloria Anzaldua Reader ed. AnaLouise Keating:

“Transformations occur in this in-between place, an unstable, unpredictable, precarious, always-in-transition space lacking clear boundaries. Nepantla es tierra desconocida, and living in this liminal zone means being in a constant state of displacement—an uncomfortable, even alarming feeling.” (p. 243)

Next let’s move on to Doctor Who because you know me, I’m all about him. Er, I mean. . . her? They?

Pronoun Troubles: Doctor Who?

This season of Doctor Who, with Jodie Whittaker taking over as “the madman in a box”, has been a delight. At home our family is wrestling with pronouns. To be fair, “they” is the most descriptive pronoun for a character who has had at least twelve bodies, especially since some episodes feature several of them at once. But habits die slowly.

This season took risks that many previous show-runners would not have dared or even wanted to take, above and beyond making the Doctor a woman. Half the Tardis crew was female/trans/nonbinary and half was people of color. All were richly drawn, by a diverse group writers and directors who clearly did their homework. Also, the show went to historical times and places it’s never dared to go before: Montgomery, Alabama in 1955, or the border of Pakistan and India at the time of the Partition. It neither made light of nor sugarcoated these terrible times.

The Doctor, meanwhile, stayed consistent with their character. Confident, mercurial, curious, questioning, authoritative, and full of schemes. But she wasn’t overconfident, didn’t flanut her authority, and I honestly did struggle with this. One of the aspects of the show I enjoy is the dance of power between the Doctor and the villain. But this Doctor was simply forthright. “I’m not going to let you do that.” Whenever she spoke those words she meant them, and she was right. As always, I’ve enjoyed the Verity podcast (https://veritypodcast.wordpress.com/) for their reactions and their insights into the show. The latest episode discusses whether or not this Doctor had a character arc, or a strong character, with much friendly disagreement especially over whether lack of angst represents lack of character. I personally think she hid her feelings to a much greater extent than the four male Doctors who immediately preceded her. The Verities are also quick to point out the similarities between this season and Classic Who, comparing her especially to Patrick Troughton and Peter Davison. I agree.

Sorry to Bother You by Boots Riley

I don’t want to give spoilers, but if you can only watch one movie next year, this is the one. There’s a surprise behind (almost) every door. Well-earned comedy. Speaks truths we spend a good deal of energy hiding. Fits into at least seven different genres at once. Takes reality, makes it strange, heightens the realism through unreality, turns the unreality into comedy. It’s delicious: call in the cavalry.

The Invisible Library by Genevieve Cogman

I don’t know how to explain why I was constantly on the edge of my seat wondering whether a librarian, a trainee, a detective, and a police officer will make it to the Natural History on time to get a book.

Some writing advice by Samuel Delany

I came across the anthology Clarion, ed. Robin Scott Wilson, 1971. It’s got a lot of great stories, interesting stories, and, um, “products of their time,” but what sticks out is this writing advice. After decades of reading about writing, this one is new. Thank you, Samuel Delany.

"The young painter who has set about learning to paint 'realistically' is often surprised that the eye must do the learning . . . Examine your reaction when you are excited; as well, when you are bored. . . Look closely at what individualizes people; explore those moments when you are vividly aware of a personality. Explore the others when you cannot fathom a given person's actions at all. . . . [I]t will always be a paradox to the young artist of whatever medium that the only element of the imagination that can be consciously and conscientiously trained is the ability to observe what is."



Romeo And/or Juliet: A Chooseable-Path Adventure by Ryan North

North is quite clear on the ultimate, deep heart of this sacrosanct Work by Famous and Revered Playwright William Shakespeare: angsty teens desperate to get laid. It’s a “Choose Your Own Adventure” type book, and you can either wander down the standard narrative or take a different side path based on all the other choices these teens had available to them. The standard narrative provides ample opportunities to explore the flowery language or, alternately, the plain-truth version. Oh, also, there’s no way to get through it without repeatedly changing genders. A note about the sex scene: it’s a Mad Libs version. Nothing in this book goes past PG13 and as such, I’d recommend it to any schoolkid forced to contend with our Important Works of Western Literature.


Upside Down: Inverted Tropes in Storytelling

Half the fun of this book was reading the inventive stories, and the other half was looking in the back to see which trope the stories demolished. I do have a bit of a gripe, though: if I recall correctly, the tropes in the back were listed by trope and not by story, so I got a few “spoilers” on other stories I hadn’t yet finished. Especially memorable were “Lazzrus” by Nisi Shawl and “Can you tell me how to get to Paprika Place?” by Michael R. Underwood.

Passing for Human: Benaroya Chronicles by Jody Scott

I’m so sorry Jody Scott is no longer with us, selfishly, because I wish I could read more of her books. The alien main character, a dolphin who can put on a human body like we put on clothes, and picks Brenda Starr and Emma Peel to blend in, simply cannot grasp our human concept of mortality. This book first came out in 1977 and was freshly released in 2015.


Revisionary and Unbound by Jim C. Hines

You already know I like Doctor Who. I like stories about libraries and librarians. So how could I possibly resist a series in which the main character can pull any item that fits, out of the pages of a book? These books are sequels to Libriomancer. It’s worth mentioning that our hero gets into a relationship involving a complicated and problematic situation of consent. Hines handles that issue admirably.



Walkaway by Cory Doctorow

In the late 1980s I read a lot of dystopias and post-apocalyptic fiction, meant to warn humanity against trouble to come. Now that such trouble is here, it’s helpful to have a book that starts with our dystopia and imagines a route to a more hopeful future. The main strategy of the people wishing to build a better society is to literally walk away from messed-up places, be it a capitalist city or a commune that’s suddenly gone authoritarian, and to build afresh. As somebody who has had to metaphorically walk away from three organizations, I can see the appeal! You can’t do it forever, though. Eventually, people have to put down roots and make a stand somewhere. It’s clear to me that Doctorow thoroughly researched the frustrations, and successes, of leftist organizing.



Kiki Strike series by Kirsten Miller

I found this YA book series on the shelves at Powell’s Books, drawn in by the title, and I’m glad I did. Our narrator finds herself mixed up in espionage in the underground tunnels of Manhattan (the “Shadow City”), following a charismatic but dishonest Kiki Strike.




Kristin King (http://kristinking.wordpress.com) is a writer, parent, and activist who lives in Seattle. Her work has appeared in Strange Horizons, Calyx, The Pushcart Prize XXII (1998), and other places. Two of her stories appeared in an Aqueduct Press anthology, Missing Links and Secret Histories: A Selection of Wikipedia Entries Lost, Suppressed, or Misplaced in Time. A selection of her short fiction has been collected in Misfits from the Beehive State.

Friday, February 9, 2018

Guest Post: An Open Letter to Margaret Atwood by Kristin King



An Open Letter to Margaret Atwood

by Kristin King


Dear Margaret Atwood, 

In a recent op-ed, you asked the question: “Am I a bad feminist?” My short answer, from one feminist to another, is no. My longer answer is that the question itself turns what ought to be a dialogue into a bitter argument. This is poor feminist practice. Your response to #metoo activists similarly polarizes debate surrounding sexual harassment and abuse, when the conversation could instead have turned elicited insights. And strangely, your response inadvertently pulls from talking points that have been circulating recently as a result of a deliberate and misogynist public relations campaign. 

However, the best part of feminism is our ability to learn from our disagreements. In the interest of furthering feminist solidarity and dialogue, I have some comments to make. 

The good/bad feminist divide

Framing the issue as a Good Feminist / Bad Feminist one draws battle lines and sets you up for further attack. It puts on blinders and prohibits dialogue. 

Let me offer a glimpse of my own perspective on the feminist movement, from someone who found feminism in the early 1990s. The first professor who taught me feminist theory was Katherine Stockton. She grounded me in queer issues, disability in the feminist movement, and more. And the next was my creative writing professor Colleen McElroy, who helped me start learning about race with authors such as bell hooks and Gloria AnzaldĂºa. My continuing self-education has also included the Combahee River Statement, which considered issues of race, class, and gender both together and separately. 

So I didn’t participate in second-wave feminism, even though I certainly reaped its benefits. But I did watch a rift widen between second-and third-wave feminists. I have seen some second-wave feminists who have succeeded in their goals, perhaps have become acting CEOs in their own companies as you have done, dismiss feminists working intersectionally, viewing that practice as a distraction from the primary issue of male and female equality. 

Skipping ahead to the present, I see that many millennial feminists are broke, can’t afford college, which isn’t going to get them good jobs anyhow. It’s not just that they don’t expect to reach the glass ceiling--they’re not even inside the building. They’re living in sleeping bags out in the cold. 

So there are real divisions between women, based on their lived experiences, and those divisions can be and are being exploited by, in your words, “those who do not wish women well.” 

Into this mix comes your op-ed and the language it uses. I see it using talking points that are also being pushed by corporately funded propaganda outlets posing as media. I assume this is unintentional, so a close examination of what I see might provide a beneficial learning opportunity.  

Using the language of the far-right corporate patriarchy

First let’s take a peek at some of the underlying power dynamics .-The wealthiest and most powerful, white men of course, the patriarchy, are using their wealth to pay PR firms to design and push their talking points, which then end up in popular culture, our everyday conversations. Some of it is misogynist, but the primary goal, I believe, is the aim of holding on to money and power. Noam Chomsky articulated the basic problem of news propaganda back in 1992, in his book Manufacturing Consent, and many people have also been watching the idea of manufactured backlash, as in a recent Huffington Post article, “The Fake Feminism Of The #MeToo Backlash.”  Unfortunately, in our current age, all manner of billionaires and corporations are using social media to spread propaganda that benefits them. And none of us is immune. 

Within that context, I’ll put on my hat of “literary critic” and compare three texts: an article published on a news media site of unknown ownership, an article published by a P.R. company, and finally your op-ed.
On December 13, 2017, the article “The #MeToo Movement Is Destroying Trust Between Men And Women” by D.C. McAllister appeared in The Federalist online journal. The Federalist isn’t a news journal but a series of opinion pieces that feature classic examples of propaganda, such as glittering generalities, straw men, name-calling, deliberate vagueness, and a false framing of the narrative. The journal has a readership in the millions--a guarantee that the ideas it spreads will propagate widely. Who is funding this journal? That’s not so transparent. Reader beware.  

On December 18th, 2017, another article appeared on another propaganda outlet, this one specifically targeted at feminists. The outlet was the site Spiked! Online, which has a long history of manipulating public dialogue, especially in the field of agricultural science. This history is readily available through SourceWatch or through research explained by George Monbiot. Its intention is also clearly laid out in their own words upon launch in 2000, available on the Wayback Machine, “nothing less than the creation of a new language for political, social and cultural writing in the twenty-first century.”

The article itself, “Meet the Women Worried about #MeToo,” includes short pieces written by thirteen different women and selected by an editor for the benefit of those funding the magazine. 

A close read of both articles reveals common messages, or talking points, that the outlets want to spread to the public for general use. Each of these messages stops or deflects dialogue in some way. And each message is reflected in your own op-ed. I’ll just take three to examine: the witch-hunt metaphor, framing as a legal issue, and “real feminists.” 

Witch-hunt metaphor

The metaphor of a witch-hunt and similar terms is a key weapon used against #metoo. Combing through through the two propaganda articles, it’s easy to find phrases like, “the sexual harassment witch-hunt,” “mob behavior,” “mass hysteria,” and “orgy of female victimhood,” as well as references to the beheadings that took place in the French Revolution. 

This metaphor has an invisible payload of meaning, which is quite intentional on the part of propagandists. Witches don’t exist, and this implies by analogy sexual predators don’t either. Then there is the gendered component, which is perhaps the reason “witch hunt” is used rather than McCarthyism.
In your op ed, when you note that your accusers mistakenly “think I was comparing them to the teenaged Salem witchfinders and calling them hysterical little girls,” it’s worth going deeper and asking  Why do they think that?” I suggest it’s because somebody with money is pushing the witch-hunt metaphor in order to deliver that exact message. 

Explaining what you did and did not mean by “witch hunt” doesn’t solve that problem, because the implication remains. A stronger move might involve hunting for a new metaphor, or simply diving into the specifics of the core issue with more concrete language.     

Framing as a legal issue
 
Another propaganda talking point is framing an assault complaint as a legal issue and invoking the principles of “due process” and “innocent until proven guilty.” There’s a core of truth here: an accusation of anything requires fair consideration. But there’s also a big manipulation of language. 

Going back to the propaganda articles, the Federalist article complains, “When anything from a naive touch during a photo shoot to an innocent attempt at a kiss is compared to rape” and “men never know when they will be presented at the court of injustice as a ‘sexual abuser’,” it is arguing by implication that an innocent kiss can get a man taken to court. The Spiked article makes similar connections, right down to requiring an act to be illegal before it’s called assault. 

A legal framing puts blinders on us and asks us to ignore obvious facts. First, making a public complaint or talking to Human Resources is entirely different from filing criminal charges. Second, social media is not a court. Third, “innocent until proven guilty” is a high standard that our criminal justice system should, but does not often, provide. Fourth, although the government owes us “due process” in criminal cases, most people don’t actually expect it in the workplace. (Though we should.) 

It’s worth taking a moment to explore due process in the workplace. All workers deserve a fair process before disciplinary action is taken, but most don’t get it. Most people have “at-will” employment, and they get fired all the time for getting sick, failing to smile . . . and for reporting sexual harassment and assault to HR.  The remedy here is a grievance process that requires employers to establish “just cause” and for workers to have access to a grievance process. 

Your op ed unfortunately fell into the trap of using a legal framing, and the focus on “due process” paved the road for an incomplete analysis of the situation. Your note that “[h]is faculty association launched a grievance that is continuing,” actually refers to a union grievance, which will indeed be heard and settled by a higher authority than the university. Because of his union membership, the professor has more due process than most people get. Further, although the workings of the university process are not publicly available, that does not automatically mean they were incorrect. The university is likely legally compelled to remain silent, and also, confidentiality protects both accused and accuser.  

Is it possible to say what we mean without using legal metaphors? Definitely. For instance, perhaps “due process” is best when a case of assault is going to court, but “a grievance process” more accurately conveys what we need from other institutions and the community at large. 

Real feminists

Another talking point, which is revealed in the Spiked article, pits “real” feminists against the rest. “Real” feminism is defined as fighting to be treated as equals in the workplace, empowering women as opposed to infantilizing them, and working together as “women and men of good will” to “fashion more equitable workplaces.” The past history of women dealing with harassment gets a new, macho spin, for “those of us who have spent years metaphorically kicking sex pests in the balls.” And the worry expressed is that all this fuss over harassment risks “turning the clock back on hard-won sexual equality.” 

These statements divide women into two groups: the over-40 crowd who fought for and won equality and the strange younger demographic who thinks winking constitutes harassment, who are “fragile” and lack “robust common sense.” 

This division helps nobody, and so it’s disturbing to see it reflected in your op ed, which ironically divides women into “Bad Feminists” (who are right) and “Good Feminists” (who are wrong). The wrong feminists “believe that women are children,” align politically with misogynists, want to take away fundamental justice from men, are “feeding into the very old narrative that holds women to be incapable of fairness,” are “giving the opponents of women yet another reason to deny them positions of decision-making,” have an ideology, expect everyone to “puppet their views,” and are now participating in unproductive squabbling. 

It might be more useful to think about good and bad feminist practice. Instead of calling names, a focus on practice  opens a dialogue about what we are doing and why we are doing it. What constitutes good feminist practice to me? To you? Where are we similar and different? 

How did this happen?

Your op-ed came at a key moment for the #metoo backlash and dovetailed with talking points that have been chosen by corporations whose business is public propaganda for the world’s most powerful men. Why? I speculate that somebody took advantage of the frustration you have been feeling over seeing a fellow novelist publicly attacked, and that after the talking points they were pushing had a time to saturate public dialogue, offered you the opportunity to put your words in print--but for their own cynical reasons.  

That an author of highly revered feminist dystopia can be manipulated by patriarchy’s PR machine makes this a chilling moment for all of us. Time to step back and look at how social media is not only providing fake news but also twisting public dialogue as it comes out of our own mouths, turning thoughtful commentary into friendly fire. 

What now? 

The simplest solution to the problem of dialogue we don’t like is to ask everybody to “stop squabbling.” From your point of view, the angry #metoo activists should calm down and quit their witch-hunt. From my point of view, I’d prefer that you stop using the term witch-hunt.  But both requests to silence speech are too easy, and they leave us open to yet more manipulation and pointless infighting. 

A trickier but more powerful answer is for us to deepen the dialogue, to continue as feminists have always done and reach across divisions to find common ground. An example of such cross-generational discussion is “Feminists From Three Different Generations Talk Me Too,” which recently appeared on Vox.com. From a position of mutual solidarity, it is indeed possible for feminists to consider the issues on our own terms.  

That brings me back to the issue at the heart of your op-ed--what #Metoo participants should and should not do.

How to stop sexual violence

The real question is not whether or not you are a good or bad feminist, or whether #Metoo posters represent a lynch mob, but what to do with the very real question of sexual violence in our communities.
One group that has been working on the problem for decades is women of color. In particular, a group called Incite! Women of Color Against Violence met in a founding conference in 2000 to discuss how to stop violence in their communities, and it branched off in many directions. A framework for community accountability emerged in 2003 with no clear answers but with groundbreaking ideas and questions. A lot of the strategies and terms that are now surprising many white people, such as “believe the survivor,” came out of that work. But it is a nuanced practice, including other concepts such as “impact versus intent” and sitting down with both parties. That’s very different from someone reflexively sending a “believe the survivor” tweet. 

We have thorny problems to address, such as a conflict between transparency and confidentiality, and also between the need to believe the survivor and to follow a fair process. But I know from first-person experience that they are being addressed. I recently participated in a democratic discussion about how an organization might modify its complaints process to account for sexual harassment and abuse. Even though most of the people in the organization are men, the new survivor-focused process passed overwhelmingly. It looks like the world is ready for a change. 

This is, as you say, an important moment in history. 

Yours for the movement,
Kristin King


Works cited, and further reading 

Atwood, Margaret. “Am I a Bad Feminist?” The Globe and Mail, 15 Jan. 2018, www.theglobeandmail.com/opinion/am-i-a-bad-feminist/article37591823/.

Moraga Cherríe, and Anzaldúa Gloria. This Bridge Called My Back: Writings by Radical Women of Color. SUNY Press, 2015. Available at http://www.sunypress.edu/p-6102-this-bridge-called-my-back-four.aspx.

bell hooks

Anzaldúa Gloria, and AnaLouise Keating. The Gloria Anzaldúa Reader. Duke University Press, 2009. Available at https://www.dukeupress.edu/the-gloria-anzaldua-reader.

Combahee River Collective. “The Combahee River Collective Statement.” Released 1977, available on circuitous.org/scraps/combahee.html.

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