Showing posts with label Sarah Hall. Show all posts
Showing posts with label Sarah Hall. Show all posts

Thursday, September 10, 2009

Book Talk

Here are some interesting conversations about books by women, going on elsewhere:

*Niall Harrison, Adam Roberts, Nic Clarke, Jo Coleman, and Abigail Nussbaum discuss Ursula K. Le Guin's Lavinia; their conversation has been divided into four parts: Part 1, at Torque Control, Part 2 at Punkadiddle, Part 3 at Asking the Wrong Questions, and Part 4 at Eve's Alexandria.

*Another discussion, this one in five parts, all to be found on the same blog, takes on Sarah Hall's How to Paint a Dead Man; it's currentl in progress at Ed Champion's Reluctant Habits. The participants, here, are Jenny Davidson, Brian Francis Slattery, Michael Schaub, Amy Riley, Traver Kauffman, and Abigail Nussbaum.

*And finally, the Women in SF reading club talk about Marge Piercy's feminist sf classic, Woman on the Edge of Time.

Wednesday, August 20, 2008

New Links










Nisi Shawl reviews Sarah Hall's Tiptree-winner Daughters of the North for Ms. Magazine, in Grimness and Grace. Here Nisi suggests that Octavia Butler's Parable of the Sower and Parable of the Talents might offer a closer parallel to the novel than the dystopias of George Orwell, Margaret Atwood, and Ursula K. Le Guin that the book's publicists have emphasized. And she speculates:

Perhaps the publicists don’t compare Hall to Butler because of racial differences; Butler was African American, and Hall is not. Yet Daughters, unlike many works of speculative fiction by white writers, refuses to let race remain the unmentionable elephant in the living room.

Meanwhile, Brian Charles Clark reviews Nisi's Filter House for Curled Up With A Good Book.

The real, here, is animated, alive, and Shawl's sentences weave a rhythm that gives voice to (secret?) desires: for divine intervention, for allies and challengers in rocks and trees and dragons, for love and imagination to be made simple, practical and transcendental. Her stories' trajectories are wonderfully entertaining, but her sentences are magical. Through dialogue and observation, Shawl frequently pierces the veil separating reader and writer, bringing her characters delightfully to life.

Check them out!