Showing posts with label Vonda N. McIntyre. Show all posts
Showing posts with label Vonda N. McIntyre. Show all posts
Tuesday, April 2, 2019
Vonda N. McIntyre (1948-2019)
Vonda N. McIntyre died yesterday. She was a person of many, albeit overlapping, communities, which makes it unusually difficult for me to give a sense of who she was in our world. The most visible aspect of her life, of course, is her published work, which includes Dreamsnake (winner of both the Hugo and Nebula Awards for best novel), the fabulous historical science fiction novel The Moon and the Sun (winner of the Nebula Award), a few other standalone novels, her four-novel Starfarers series, several Star Trek and Star Wars novels, and a host of short fiction, some of which was collected in Fireflood and Other Stories, and includes, from 2005, "Little Faces," which I especially loved, and which was a finalist for the Nebula and Sturgeon Awards.
Vonda was one of those authors whose work I read and loved long before I met her. In fact, her Dreamsnake was among the first science fiction books I ever read. I found it in a bookstore in Salt Lake City, when I was living there in 1978, and it gave me my very first taste of what I later came to call feminist sf. The idea of women being able to learn to control their reproduction through biocontrol enchanted me (and instantly raised the bar for what I expected from science fiction texts), and made me hungry for more such imaginative approaches to biology-- by which I mean the biology that society had told me was destiny--for girls and women. I suspect that that novel in particular helped prepare me for a different conceptualization of biology that I eventually picked up from feminist science studies. In short, I was an early fan of Vonda's. Much later, reading Joanna Russ's letters to Alice Sheldon (which can be found in the University of Oregon's Special Collections), I inferred, without surprise, that Joanna and Vonda must have had many intense conversations in the 1970s about all things feminist and science fictional because Joanna often referred to what Vonda had said about this or that when writing to Alli Sheldon.
I first saw Vonda in the flesh a few years later, after I'd moved to Seattle, at a women writers conference (graced by such stars as Maya Angelou, Joanna Russ, Toni Cade Bambarra, and Carolyn Forche). Vonda gave a reading as well as participated on a panel I attended. I don't think I'd ever before seen a woman wearing blue jeans and a blazer (which I'd often known male mathematicians and musicians to do), and seeing her do so instantly made me want to, also. What I recall most from both the panel and her reading was my impression of how deeply embedded her science fictional imagination was in her background in biology. She was, to me, a star in a dazzling firmament of stars--all women writers.
Later, of course, after Nicola Griffith dragged my isolated, introverted self into Seattle's community of sf writers, I came to know her, at first as a crusty, trenchantly witty personality and then as a generous force helping make things happen and run smoothly (always unobtrusively). She was, for instance, one of the founders of Clarion West. Later, she helped found the Bookview Cafe and helped produce their ebooks, which I became aware of only when Kath and I were referred to her for much-needed advice for Aqueduct. Her community was larger than these, though, as evidenced by her being a GoH at the 2015 WorldCon, held in Spokane.
I thought a great deal about her last month, while in Port Townsend, because I knew she had only weeks to live. I was stunned by the volume of memories I have of my encounters with her. Like many other people, I know, I'm thankful to have enjoyed her friendship and will miss her actively intelligent presence in the world..
Wednesday, March 7, 2018
The Feminist Futures Bundle
I'm really pleased too announce The Feminist Futures Bundle, a bundle of e-books that are entirely feminist sf/f, and includes Alanya to Alanya, the first volume of my Marq'ssan Cycle. The bundle goes on sale tonight and will be available for a limited time. Let me turn you over to Cat Rambo, who curated this wonderful bundle:
In time
for Women's History Month, here's a celebration of some of the best science
fiction being written by women today. This bundle gathers a wide range of
outlooks and possibilities, including an anthology that gives you a smorgasbord
of other authors you may enjoy.
I used
to work in the tech industry, and there I saw how diversity could enhance a
team and expand its skillset. Women understand that marketing to women is
something other than coming up with a lady-version of a potato chip designed
not to crunch or a pink pen sized for our dainty hands. Diversity means more
perspectives, and this applies to science fiction as well. I am more pleased
with this bundle than any I've curated so far.
In her
feminist literary theory classic How to Suppress Women's Writing, science
fiction author Joanna Russ talked about the forces working against the works of
women (and minority) writers. A counter to that is making a point of reading
and celebrating such work, and for me this bundle is part of that personal
effort, introducing you to some of my favorites.
And in
the name of expanding one's knowledge and enjoyment of women writing SF, the
majority of these books are first volumes of series, and I hope if you enjoy
them, you'll find the others as well as telling other people about them. The
Kirstein series is the only one where not all the books are available; she's
currently working on book five and plans seven altogether. Many of them are
independently or small press published, showing the depth and quality of work
such publishing venues can yield.
I come
to the task of writing these notes having just finished reading through a slush
pile for an anthology I'm editing, If This Goes On, devoted to political
science fiction. Some of the themes there are echoed in some of the works here,
and it's been interesting to note the resonances. Other books in the bundle are
more lighthearted or escapist. I hope everyone will find at least a few they
enjoy, and that many readers will join me in thinking they're all swell.
I'll be
doing some video interviews with authors about their books - look for the
hashtag #thefutureisfeminist on social media or subscribe to my Youtube channel
(https://www.youtube.com/user/spezzatura) or newsletter (http://www.kittywumpus.net/blog/newsletter/) to make sure you get notified when they appear! – Cat
Rambo
The
initial titles in the Feminist Futures Bundle (minimum $5 to purchase) are:
- Happy Snak by Nicole Kimberling
- Alanya to Alanya by L. Timmel Duchamp
- Code of Conduct by Kristine Smith
- The Birthday Problem by Caren Gussoff
If you
pay at least the bonus price of just $15, you get all four of the regular
titles, plus SIX more!
- Starfarers Quartet Omnibus - Books 1-4 by Vonda N. McIntyre
- The Steerswoman by Rosemary Kirstein
- Spots the Space Marine by M.C.A. Hogarth
- The Terrorists of Irustan by Louise Marley
- Queen & Commander by Janine A. Southard
- To Shape the Dark by Athena Andreadis
This
bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets
as well as Kindle and other ereaders via file transfer, email, and other
methods. You get multiple DRM-free formats (.epub and .mobi) for all books!
It's
also super easy to give the gift of reading with StoryBundle, thanks to our
gift cards – which allow you to send someone a code that they can redeem for
any future StoryBundle bundle – and timed delivery, which allows you to control
exactly when your recipient will get the gift of StoryBundle.
Why
StoryBundle? Here are just a few benefits StoryBundle provides.
- Get quality reads: We've chosen works from excellent authors to bundle together in one convenient package.
- Pay what you want (minimum $5): You decide how much these fantastic books are worth. If you can only spare a little, that's fine! You'll still get access to a batch of exceptional titles.
- Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there's nothing wrong with ditching DRM.
- Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to Mighty Writers and Girls Write Now!
- Receive extra books: If you beat the bonus price, you'll get the bonus books!
StoryBundle
was created to give a platform for independent authors to showcase their work,
and a source of quality titles for thirsty readers. StoryBundle works with
authors to create bundles of ebooks that can be purchased by readers at their
desired price. Before starting StoryBundle, Founder Jason Chen covered
technology and software as an editor for Gizmodo.com and Lifehacker.com.
For more information, visit our website at storybundle.com,
tweet us at @storybundle and like us on Facebook.
Wednesday, November 13, 2013
A few notes and thoughts on the Worlds Beyond World and Women's Stories, Women's Lives Symposia
I wanted to write at least a little about the conference I attended last weekend in Eugene, celebrating the 40th anniversary of the Center for the Study of Women in Society at the University of Oregon. The conference kicked off with a documentary film, "Agents of Change: A legacy of feminist research, teaching, and activism at the University of Oregon" by Gabriela Martinez and Sonia De La Cruz, which I'm sorry to say I missed because I was helping Kath to unload Aqueduct's books and set up our tables in the vendors' room. But I did attend about half of the sessions of the first symposium and all of the sessions of the second. I took the occasional note on some of them.
The first symposium, titled "Women's Stories, Women's Lives," was held on Thursday. The sessions were nominally organized by decades-- 1970s, 1980s, 1990s, and the 2000s-- but since most of the work presented was historically conceived, in fact ranged over larger spans of times. Shelley Grosjean's presentation "Lesbian Lands in Oregon," for instance, began with the 1960s and went beyond the 1980s in tracing the history of a lesbian separatist community. It is quite a while since I've thought of feminist separatism-- probably since reading Joanna Russ's What Are We Fighting For (which devotes a chapter to it). Listening to the presentation, I realized that probably a lot of younger feminists don't realize that separatist communities often came about in the way this one seems to have done. Apparently, when a couple of women in a mixed-sex, "back to the land" group, Jeanne and Ruth, challenged the group's conservative gender roles, they were booted out--and promptly organized a group of women to form a new community. This community explicitly defined itself as seeking spiritual connection via women's physical bodies in relationship to the landscape, and published Woman Spirit Magazine (1974-1984) as a means of doing "long-distance consciousness raising." (I think she may have said that Mother Kali's bookstore in Eugene was associated with the community. I remember Mother Kali's from visits I made there in the 1980s. Just thinking about it made me long for the days when feminist bookstores were to be found all across the country.) The presentation did not attempt to gloss over the community's feminist shortcomings. The community was white-- lacking in "universal sisterhood in reality," and so "attempted to appropriate other cultures to give them sense of being universal." The presenter said that the women she talked to viewed separatism as "a hospital"-- a place for being healed. But, she says, the community discovered that women severely damaged by patriarchy could never leave separatism because they were never healed. The presenter summed up the community's ideological differences from contemporary feminism as "hugely emancipatory, hugely exclusionary."
Cheris Kramarae, a longtime women's studies scholar, who is probably best known for her statement "Feminism is the radical notion that women are human beings," presented next, on the subject of Global Antiviolence. "Feminism 'dies' continually," she remarked at the beginning of her talk. (So true, so true...) She finished by noting how the issues of sexual harassment, sex trafficking, and domestic violence remain important issues. "There is still no economic aid for battered women-- only individualized solutions for social problems." Most of the money appropriated for dealing with domestic violence, she says, goes to anger management programs for men rather than foucsing on the complexity of the social problem. "There is no ancient history as in 'gone'," she concluded. "The issues of the 1960s are still with us."
The third presenter in the session was Eugene's mayor, Kitty Piercy, speaking on reproductive rights activism. I couldn't help be struck by her story of being recruited at a NARAL booth in the 1980s. (I was recruited at a NARAL house party in 1981.) She referred, amusingly, to "speculum parties" where women had the opportunity to see their own cervices. As I recall, at least some of these parties had a lot to do with Our Bodies, Ourselves developments--which had a major impact on all feminists. (Indeed, it changes many practices in the medical mainstream, not only in gynecology, but in family practice as well. Medical practice in the US has never been the same, thank the goddess.) Piercy emphasized that she was strongly motivated by personal experience to work for reproductive rights-- and as a result became a "more public person." (More personal resonance here-- the NARAL organizers I worked with in the 1980s also attempted to get me to do public speaking, but I begged off--and instead did a lot of writing and analysis for them.) In Piercy's case, one thing led to another-- which eventually included election to public office.
Margaret Hallock, a member of the faculty in Economics at the University of Oregon, spoke next on Pay Equity and union organizing in the 1980s. She helped organize the Oregon Public Employees Union. Clerical workers, whose jobs were labeled "unskilled," joined the fight for pay equity. Many of these public employees needed food stamps to supplement their pay. (Like quite a few workers today, actually.) Eventually they came up with the idea of a "rolling strike," which was do-able in the way a general strike was not. The rolling strike was so successful that the legislature has since outlawed it. Every day the clerical workers in a different department walked off the job. (Imagine the surprise of all the people relying on the labor of clerical workers discovering how dependent they were on it...) Briefly, the gender gap in pay was closed. (Sad closing note: the gender gap in pay is back.)
Shannon Elizabeth Bell spoke about the origin of the environmental justice movement in the poorest county of North Carolina. This is a movement aimed at protecting health and economic well-being of communities (rather than focusing on protecting the Earth). It is grassroots and on-going, particularly in Appalachia vis-a-vis the coal industry. The presenter played a moving audio clip of an Appalachian woman talking about why she fights for environmental justice and the backlash she faces within her own community.
Next we broke for lunch, after which we had the pleasure of listening to Molly Gloss reading from her Tiptree-Award novel Wildlife. I'm afraid I can't find my notes for the afternoon sessions. I missed most of the first session (presumably because I was talking to someone at the time, though my memory is weirdly hazy). The second afternoon session, on the 21st century, entailed Gabriela Martinez on the University of Oregon's Diversity Project, Nichole Maher on Native American Families ( a wonderful success story of community organizing and coalition work), Susan Sygall on disability rights in the global context, and Charli Carpenter on "interest gaps between intentions and outcomes" in national security policies. Carpenter is particularly interested in the gendered norms for defining civilian immunity and the "Making Amends" campaign, based on the idea that governments need to not only not commit war crimes, but also need to assist civilians harmed by violent conflict. (I have to say-- and several members of the audience agreed with me, this latter would have been more effective without an overwrought sound track.)
Dinner break was a bit of a rush, since seating for the Ursula Le Guin reading began at 6 p.m. The reading was, as you might expect, wonderful. Ursula read from an unpublished story that only three people (I think) had previously read. I won't say any more about it, though, since Ursula swore us all to silence. (Given the hundreds of people listening, I'll be interested to see if details of the story leak out.) After the reading, Ursula did some Q&A, first with a professor and graduate student and then with the audience. A signing, which I and several other writers participated in, followed.(I was seated between Suzy McKee Charnas and Kate Wilhelm.) And then it was back to the hotel and the hotel's bar, where a good time was had by many (including me), and it felt a lot like WisCon, if you know what I mean.
Saturday's symposium was "Worlds Beyond World," and was all about feminist sf. The first panel, moderated by Roxane Samer, featured three undergraduates and one graduate student talking about class projects using the University of Oregon archives (which includes the papers of Ursula Le Guin and Joanna Russ). Laura Strait talked about Ursula Le Guin's correspondence with Eleanor Cameron and Cameron's run-in with Roald Dahl and her critique of the racism in his work. Strait made the point that she believes an understanding of an author's intentionality can inform literary criticism of the author's work. Grace Shunn, who admitted knowing very little about science fiction, talked about reading UKL's correspondence with Alice Sheldon. Mahkah Wu, who spoke so quickly the person writing captions gave up even trying to follow his presentation, talked about men's advantages in debates-- because men are allowed to be verbally aggressive without penalty and can talk as fast as they want and still be intelligible (especially if their voices are deep). Debate, he said, creates a hostile atmosphere toward women. He mentioned debating the proposition that "Women should not be allowed access to political institutions" (on the con side)-- though I have no memory of how this related to anything else he was saying-- about which, later, someone (I think it may have been Vonda McIntyre) wondered why the proposition hadn't been "Men should not be allowed access to political institutions" instead. He finally, after much preamble, noted that he had chosen to focus on an argument Ursula had with Darko Suvin. Amy Jones concluded the session by talking about reading documents in the archives to trace changes in language use (which is something that interests me mightily).
I was a panelist for the next two sessions, one before and one after lunch, and so I'm afraid I can't really say much about them. (I was told that a written transcript of the sessions is being prepared. When/if I hear of one, I'll let you know.) I was a bit uncertain going into these because I wasn't sure of what our audience would be. Nevertheless, the level of the discussion was in no way a sort of "feminist science fiction 101." My impression after the event is that the audience's level of comprehension was varied. The first panel focused on "Feminist Science Fiction as Political Theory." Larissa Lai moderated this beautifully, and Suzy McKee Charnas, Vonda N. McIntyre, Kate Wilhelm, and I were the panelists. I enjoyed it immensely, as I did the second panel, "Building Feminist Worlds," moderated by Margaret McBride, with panelists Molly Gloss, Andrea Hairston, Larissa Lai, and me. I think we talked more specifically about particular works on the second panel. (Though I may be wrong!) My hope is that we conveyed a sense of just how lively, diverse, and burgeoning feminist science fiction is.
The last session, moderated by Grace Dillon, included Kathryn Allan, Joan Haran, Andrea Hairston, and Alexis Lothian. Grace Dillon questioned the prevalence of frontier and pioneer metaphors in science fiction research and cited Katie King's Networking Re-enactments. "True tradition," she asserted, "is dynamic" rather than static. Joan talked about her article with Katie King in the new issue of Ada. (Which I liked to in an earlier entry on this blog.) She argued that new historiographies enable us to think about alternative futures (an idea I've gotten behind myself, particularly in my "Toward a Genealogy of Feminist Science Fiction"). She emphasized how wrong it is to assume that the present is single and unified. Alexis talked about feminist science fiction's exploration of ways of knowing, which allows us other ways of looking at the world. Andrea declared that when she sits down to write a paper, it is as "a performance monologue by Andrea the Professor." "I follow the desire for knowledge and then I write about it," she said. Kathryn Allan studies "feminist post-cyberpunk" as an independent scholar. She works on disability in science fiction and has written "Cripping the Future" using an approach to disability studies that takes the modeling of disability away from the medical estabilishment and gives it to the disabled.
In retrospect, I'm struck by how the discussions that unfolded over the last three sessions always came back to the importance of community for feminist science fiction. On one of the panels (probably "Feminist Science Fiction as Political Theory") I noted that for me, three metaphors characterize feminist science fiction. The first is the one Carol Stabile (one of the key organizers of the conference) articulated at the beginning of the Worlds Beyond World symposium: Feminist science fiction provides space for creating alternatives to "what is" (which is especially important now that most people in the US have been taught to believe that how things are is the only way they can be). Karen Joy Fowler gave me the second metaphor when she wrote to me (back in 2002, I think) that "feminist science fiction is the sea I swim in." The third metaphor is my own: feminist science fiction is a grand conversation. Each of these metaphor help us to see different aspects of feminist science fiction, all of them absolutely critical. The first explains what feminist sf does and why it matters. The second tells us about how the individual reader or writer engages in feminist science fiction within a crucial, indispensible context. (A work of feminist sf is only possible and intelligible because of the existence of feminist science fiction as a whole.) And the third metaphor makes explicit the connections the second one implies and explains how it is intelligible at all.
It was a wonderful weekend, y'all. I wish more of you could have been there.
The first symposium, titled "Women's Stories, Women's Lives," was held on Thursday. The sessions were nominally organized by decades-- 1970s, 1980s, 1990s, and the 2000s-- but since most of the work presented was historically conceived, in fact ranged over larger spans of times. Shelley Grosjean's presentation "Lesbian Lands in Oregon," for instance, began with the 1960s and went beyond the 1980s in tracing the history of a lesbian separatist community. It is quite a while since I've thought of feminist separatism-- probably since reading Joanna Russ's What Are We Fighting For (which devotes a chapter to it). Listening to the presentation, I realized that probably a lot of younger feminists don't realize that separatist communities often came about in the way this one seems to have done. Apparently, when a couple of women in a mixed-sex, "back to the land" group, Jeanne and Ruth, challenged the group's conservative gender roles, they were booted out--and promptly organized a group of women to form a new community. This community explicitly defined itself as seeking spiritual connection via women's physical bodies in relationship to the landscape, and published Woman Spirit Magazine (1974-1984) as a means of doing "long-distance consciousness raising." (I think she may have said that Mother Kali's bookstore in Eugene was associated with the community. I remember Mother Kali's from visits I made there in the 1980s. Just thinking about it made me long for the days when feminist bookstores were to be found all across the country.) The presentation did not attempt to gloss over the community's feminist shortcomings. The community was white-- lacking in "universal sisterhood in reality," and so "attempted to appropriate other cultures to give them sense of being universal." The presenter said that the women she talked to viewed separatism as "a hospital"-- a place for being healed. But, she says, the community discovered that women severely damaged by patriarchy could never leave separatism because they were never healed. The presenter summed up the community's ideological differences from contemporary feminism as "hugely emancipatory, hugely exclusionary."
Cheris Kramarae, a longtime women's studies scholar, who is probably best known for her statement "Feminism is the radical notion that women are human beings," presented next, on the subject of Global Antiviolence. "Feminism 'dies' continually," she remarked at the beginning of her talk. (So true, so true...) She finished by noting how the issues of sexual harassment, sex trafficking, and domestic violence remain important issues. "There is still no economic aid for battered women-- only individualized solutions for social problems." Most of the money appropriated for dealing with domestic violence, she says, goes to anger management programs for men rather than foucsing on the complexity of the social problem. "There is no ancient history as in 'gone'," she concluded. "The issues of the 1960s are still with us."
The third presenter in the session was Eugene's mayor, Kitty Piercy, speaking on reproductive rights activism. I couldn't help be struck by her story of being recruited at a NARAL booth in the 1980s. (I was recruited at a NARAL house party in 1981.) She referred, amusingly, to "speculum parties" where women had the opportunity to see their own cervices. As I recall, at least some of these parties had a lot to do with Our Bodies, Ourselves developments--which had a major impact on all feminists. (Indeed, it changes many practices in the medical mainstream, not only in gynecology, but in family practice as well. Medical practice in the US has never been the same, thank the goddess.) Piercy emphasized that she was strongly motivated by personal experience to work for reproductive rights-- and as a result became a "more public person." (More personal resonance here-- the NARAL organizers I worked with in the 1980s also attempted to get me to do public speaking, but I begged off--and instead did a lot of writing and analysis for them.) In Piercy's case, one thing led to another-- which eventually included election to public office.
Margaret Hallock, a member of the faculty in Economics at the University of Oregon, spoke next on Pay Equity and union organizing in the 1980s. She helped organize the Oregon Public Employees Union. Clerical workers, whose jobs were labeled "unskilled," joined the fight for pay equity. Many of these public employees needed food stamps to supplement their pay. (Like quite a few workers today, actually.) Eventually they came up with the idea of a "rolling strike," which was do-able in the way a general strike was not. The rolling strike was so successful that the legislature has since outlawed it. Every day the clerical workers in a different department walked off the job. (Imagine the surprise of all the people relying on the labor of clerical workers discovering how dependent they were on it...) Briefly, the gender gap in pay was closed. (Sad closing note: the gender gap in pay is back.)
Shannon Elizabeth Bell spoke about the origin of the environmental justice movement in the poorest county of North Carolina. This is a movement aimed at protecting health and economic well-being of communities (rather than focusing on protecting the Earth). It is grassroots and on-going, particularly in Appalachia vis-a-vis the coal industry. The presenter played a moving audio clip of an Appalachian woman talking about why she fights for environmental justice and the backlash she faces within her own community.
Next we broke for lunch, after which we had the pleasure of listening to Molly Gloss reading from her Tiptree-Award novel Wildlife. I'm afraid I can't find my notes for the afternoon sessions. I missed most of the first session (presumably because I was talking to someone at the time, though my memory is weirdly hazy). The second afternoon session, on the 21st century, entailed Gabriela Martinez on the University of Oregon's Diversity Project, Nichole Maher on Native American Families ( a wonderful success story of community organizing and coalition work), Susan Sygall on disability rights in the global context, and Charli Carpenter on "interest gaps between intentions and outcomes" in national security policies. Carpenter is particularly interested in the gendered norms for defining civilian immunity and the "Making Amends" campaign, based on the idea that governments need to not only not commit war crimes, but also need to assist civilians harmed by violent conflict. (I have to say-- and several members of the audience agreed with me, this latter would have been more effective without an overwrought sound track.)
Dinner break was a bit of a rush, since seating for the Ursula Le Guin reading began at 6 p.m. The reading was, as you might expect, wonderful. Ursula read from an unpublished story that only three people (I think) had previously read. I won't say any more about it, though, since Ursula swore us all to silence. (Given the hundreds of people listening, I'll be interested to see if details of the story leak out.) After the reading, Ursula did some Q&A, first with a professor and graduate student and then with the audience. A signing, which I and several other writers participated in, followed.(I was seated between Suzy McKee Charnas and Kate Wilhelm.) And then it was back to the hotel and the hotel's bar, where a good time was had by many (including me), and it felt a lot like WisCon, if you know what I mean.
Saturday's symposium was "Worlds Beyond World," and was all about feminist sf. The first panel, moderated by Roxane Samer, featured three undergraduates and one graduate student talking about class projects using the University of Oregon archives (which includes the papers of Ursula Le Guin and Joanna Russ). Laura Strait talked about Ursula Le Guin's correspondence with Eleanor Cameron and Cameron's run-in with Roald Dahl and her critique of the racism in his work. Strait made the point that she believes an understanding of an author's intentionality can inform literary criticism of the author's work. Grace Shunn, who admitted knowing very little about science fiction, talked about reading UKL's correspondence with Alice Sheldon. Mahkah Wu, who spoke so quickly the person writing captions gave up even trying to follow his presentation, talked about men's advantages in debates-- because men are allowed to be verbally aggressive without penalty and can talk as fast as they want and still be intelligible (especially if their voices are deep). Debate, he said, creates a hostile atmosphere toward women. He mentioned debating the proposition that "Women should not be allowed access to political institutions" (on the con side)-- though I have no memory of how this related to anything else he was saying-- about which, later, someone (I think it may have been Vonda McIntyre) wondered why the proposition hadn't been "Men should not be allowed access to political institutions" instead. He finally, after much preamble, noted that he had chosen to focus on an argument Ursula had with Darko Suvin. Amy Jones concluded the session by talking about reading documents in the archives to trace changes in language use (which is something that interests me mightily).
I was a panelist for the next two sessions, one before and one after lunch, and so I'm afraid I can't really say much about them. (I was told that a written transcript of the sessions is being prepared. When/if I hear of one, I'll let you know.) I was a bit uncertain going into these because I wasn't sure of what our audience would be. Nevertheless, the level of the discussion was in no way a sort of "feminist science fiction 101." My impression after the event is that the audience's level of comprehension was varied. The first panel focused on "Feminist Science Fiction as Political Theory." Larissa Lai moderated this beautifully, and Suzy McKee Charnas, Vonda N. McIntyre, Kate Wilhelm, and I were the panelists. I enjoyed it immensely, as I did the second panel, "Building Feminist Worlds," moderated by Margaret McBride, with panelists Molly Gloss, Andrea Hairston, Larissa Lai, and me. I think we talked more specifically about particular works on the second panel. (Though I may be wrong!) My hope is that we conveyed a sense of just how lively, diverse, and burgeoning feminist science fiction is.
The last session, moderated by Grace Dillon, included Kathryn Allan, Joan Haran, Andrea Hairston, and Alexis Lothian. Grace Dillon questioned the prevalence of frontier and pioneer metaphors in science fiction research and cited Katie King's Networking Re-enactments. "True tradition," she asserted, "is dynamic" rather than static. Joan talked about her article with Katie King in the new issue of Ada. (Which I liked to in an earlier entry on this blog.) She argued that new historiographies enable us to think about alternative futures (an idea I've gotten behind myself, particularly in my "Toward a Genealogy of Feminist Science Fiction"). She emphasized how wrong it is to assume that the present is single and unified. Alexis talked about feminist science fiction's exploration of ways of knowing, which allows us other ways of looking at the world. Andrea declared that when she sits down to write a paper, it is as "a performance monologue by Andrea the Professor." "I follow the desire for knowledge and then I write about it," she said. Kathryn Allan studies "feminist post-cyberpunk" as an independent scholar. She works on disability in science fiction and has written "Cripping the Future" using an approach to disability studies that takes the modeling of disability away from the medical estabilishment and gives it to the disabled.
In retrospect, I'm struck by how the discussions that unfolded over the last three sessions always came back to the importance of community for feminist science fiction. On one of the panels (probably "Feminist Science Fiction as Political Theory") I noted that for me, three metaphors characterize feminist science fiction. The first is the one Carol Stabile (one of the key organizers of the conference) articulated at the beginning of the Worlds Beyond World symposium: Feminist science fiction provides space for creating alternatives to "what is" (which is especially important now that most people in the US have been taught to believe that how things are is the only way they can be). Karen Joy Fowler gave me the second metaphor when she wrote to me (back in 2002, I think) that "feminist science fiction is the sea I swim in." The third metaphor is my own: feminist science fiction is a grand conversation. Each of these metaphor help us to see different aspects of feminist science fiction, all of them absolutely critical. The first explains what feminist sf does and why it matters. The second tells us about how the individual reader or writer engages in feminist science fiction within a crucial, indispensible context. (A work of feminist sf is only possible and intelligible because of the existence of feminist science fiction as a whole.) And the third metaphor makes explicit the connections the second one implies and explains how it is intelligible at all.
It was a wonderful weekend, y'all. I wish more of you could have been there.
Sunday, September 29, 2013
Worlds beyond World Symposium
In about a month's time, the Center for the Study of Women in Society at the University of Oregon will be celebrating their 40th anniversary with two symposiums, one of them focusing on feminist science fiction. All the programming will be free and open to the public. So, if you live in the Pacific Northwest, you might well want to consider attending, especially when you see who will be participating. (I'm thrilled to say, the list includes several Aqueduct Press authors. including me.)
Here's the relevant scheduling info:
Symposium 2: Sally Miller Gearhart “Worlds Beyond World” – Nov. 8-9
In this symposium, authors and cultural critics explore feminist creative production and the roles of science fiction and utopian ideas in imagining feminist futures. Sessions include the following:
FRIDAY, 6:30-9 PM • Keynote event: “A Conversation with Ursula K. Le Guin”
SATURDAY, 9 AM-6 PM
• Session 1: “Feminists in the Archives,” a panel featuring Clark Honors College students working with the papers of feminist science fiction authors housed in Knight Library Special Collections and University Archives
• Session 2: “Science Fiction as Feminist Political Theory” featuring Suzy McKee Charnas, L. Timmel Duchamp, Vonda N. McIntyre, and Kate Wilhelm
• Session 3: “Building Feminist Worlds” featuring L. Timmel Duchamp, Molly Gloss, and Andrea Hairston
• Session 4: “Directions in Feminist Science Fiction Research” featuring Andrea Hairston, Joan Haran, and Alexis Lothian
Registration: Free and open to the public, but registration is required at guestli.st/164928. For travel and other event information, go to csws.uoregon.edu and click on “40th Anniversary.”
Here's the relevant scheduling info:
Symposium 2: Sally Miller Gearhart “Worlds Beyond World” – Nov. 8-9
In this symposium, authors and cultural critics explore feminist creative production and the roles of science fiction and utopian ideas in imagining feminist futures. Sessions include the following:
FRIDAY, 6:30-9 PM • Keynote event: “A Conversation with Ursula K. Le Guin”
SATURDAY, 9 AM-6 PM
• Session 1: “Feminists in the Archives,” a panel featuring Clark Honors College students working with the papers of feminist science fiction authors housed in Knight Library Special Collections and University Archives
• Session 2: “Science Fiction as Feminist Political Theory” featuring Suzy McKee Charnas, L. Timmel Duchamp, Vonda N. McIntyre, and Kate Wilhelm
• Session 3: “Building Feminist Worlds” featuring L. Timmel Duchamp, Molly Gloss, and Andrea Hairston
• Session 4: “Directions in Feminist Science Fiction Research” featuring Andrea Hairston, Joan Haran, and Alexis Lothian
Registration: Free and open to the public, but registration is required at guestli.st/164928. For travel and other event information, go to csws.uoregon.edu and click on “40th Anniversary.”
Monday, November 17, 2008
Book View Cafe: A New Venture in Online Publishing

By Nancy Jane Moore
Do you find yourself running out of good fiction to read? Book View Cafe is the solution to your problem!
Book View Cafe is a brand new (we're still arranging the furniture) online source for fiction from 21 writers, including Ursula K. Le Guin, Vonda N. McIntyre, and Aqueduct authors Sue Lange and Nancy Jane Moore.
Book View Cafe has everything from flash fiction to novels, and we include many genres, though we're heaviest on science fiction and fantasy. Most of the content is free, but some authors will also be offering expanded work, subscriptions, print versions, and additional content for a fee.
Right now I'll be posting a new free flash fiction every Sunday -- with an occasional longer story thrown in just to keep you on your toes. My first story, "The English Major's Revenge," debuted Sunday, Nov. 16.
We have a companion blog to the site and it will be updated daily, too. My regular blog posting day is Sunday. Here's my first post: my opinions on flash fiction.
Book View Cafe writers are all professionals with lots of print publishing credits. We just want to widen our publishing horizons.
The authors are:
Maya Kaathryn Bohnhoff
Brenda Clough
Katie Daniel
Laura Anne Gilman
Christie Golden
Anne Harris
Sylvia Kelso
Katharine Eliska Kimbriel
Sue Lange
Ursula K. Le Guin
Rebecca Lickiss
Vonda N. McIntyre
Nancy Jane Moore
Pati Nagle
Darcy Pattison
Irene Radford
Madeleine Robins
Amy Sterling
Jennifer Stevenson
Susan Wright
Sarah Zettel
Come by and check us out.
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