Thursday, December 10, 2020

The Pleasures of Reading, Viewing, and Listening in 2020, pt. 1: Lesley Wheeler

 



The Best Thing About 2020

by Lesley Wheeler

There were stretches, this year, when I could barely read through the haze of worry and outrage. Many amazing books reached me anyway. I spend most of this column on recent publications in sympathy for authors trying to get the word out right now but also because my 2020 reading tilted toward the contemporary. 

 

When I’m low, I look for page-turners: novels high in suspense and full of characters whose fates I care about. Little else can clear the mental static. The experience of reading The Only Good Indians by Stephen Graham Jones was perfect. At a virtual convention this fall, he described the story as a slasher—not my genre, usually. Yet even as Jones delivers on the slasher’s propulsive energy, he dissects its pleasures. I’m still in awe of his more-than-human monster (a mother animal) and his intensely moving riff on the “final girl” trope. From an utterly different world, Leigh Bardugo’s Ninth House also depends on formula while uncovering a genre’s disturbing understory. This school-of-magic tale is set at Yale, where secret societies manage terrible powers whose costs are paid by scholarship students, especially by vulnerable women. Cherie Dimaline’s Empire of Wild offers a riveting Métis rougarou visitation, and Nova Ren Suma’s The Walls Around Us is a brilliant ghost story.

As I reflect on the novels that affected me most this year, I realize they’re not only page-turners but investigations of race, class, gender, and social power generally, both well-told and urgent. I needed them and learned from them. For the same reasons, I’ve been working my way through Victor LaValle’s wonderful backlist. I downloaded the audiobook of Geraldine Brooks’ Year of Wonders—about literacy, social mobility, and the bubonic plague—before the contemporary plague was on my radar but found its account of seventeenth-century quarantine close-to-home. 


I also loved newer historical fictions penetrated by tendrils of the Weird, especially Afia Atakora’s Conjure Women and Sarah Tolmie’s The Little Animals. The latter is more than a year old now, but I’m nowhere near caught up with 2019, much less 2020. Among recent works I’m excited to crack is Master of Poisons by Andrea Hairston. I did read an advance copy of a late December release by Edward Austin Hall, Dread Isle, and it’s a terrific gender-bending, twisty novel with lots of Jules Verne in its DNA.

 

Poetry also kept me afloat this year, especially when I couldn’t sustain multi-hour literary voyages. Some favorite recent collections are Little Big Bully by Heid E. Erdrich, a manual for how to survive violence through a love of people and land; Leila Chatti’s Deluge, a first book about faith and the course of a bleeding disorder; and Kiki Petrosino’s White Blood, which brims with Virginia history and sharp meditations on mixed-race identity. 

 


 
I reviewed Anna Maria Hong’s fabulous Fablesque here, and my review of Destiny O. Birdsong’s Negotiations will appear soon in Harvard Review, but in short, it’s a knockout. For charm-like poems intensified by letterpress printing beauty, see Anna Lena Phillips Bell’s Smaller Songs. Although I have a tiny entry in each and it might seem self-serving, I strongly recommend Annie Finch’s stunning Choice Words: Writers On Abortion; Rocked by the Waters: Poems of Motherhood, coedited by Margaret Hasse and Athena Kildegaard; and Deep Beauty, coedited by Catherin Lee and Rosemary Winslow. They are wisely orchestrated anthologies, at moments breathtaking. I felt so grateful to receive my copies and to all the other editors and authors who made a tough year better.  

 


 

Lesley Wheeler’s debut novel is Unbecoming. She is also the author of five poetry collections, most recently The State She’s In, from Tinderbox Editions; The Receptionist and Other Tales was a finalist for what was then the James Tiptree, Jr. Award. Poetry’s Possible Worlds, Wheeler’s essay collection about twenty-first-century poetry, is forthcoming in 2021. Her poems and essays appear in Massachusetts Review, Strange Horizons, Poetry, Lady Churchill’s Rosebud Wristlet, Kenyon Review, and other magazines. Wheeler is Poetry Editor of Shenandoah and lives in Virginia.

     

 

Wednesday, December 9, 2020

The Pleasures of Reading, Viewing, and Listening in 2020

2020, I'm sure we can all agree, has been one hell of a year. I've been fascinated, throughout, with how the engagement each of us has with reading, listening, and viewing, has altered, for most of us have been reporting to one another about this. (And that, of course, has made me even more aware of just how important these activities are in the daily fabric of twenty-first century life.) For some of us, the difficulties we've faced have prompted us to dig deep into reading, for others of us it has meant losing this or that kind of focus and concentration. For me, it's been an uneven experience, often of extremes, which has made it almost impossible for me to predict what I might want to read a month from now (even as I'm busy placing holds on books at the Seattle Public Library). 

With that difference in mind, I'm especially pleased to announce that this blog's annual series of posts on reading, viewing, and listening is about to begin. Once again I've solicited pieces from a bevy of writers and critics to tell us what they particularly enjoyed reading, viewing, and listening to in the last year. This year's edition will include posts by Lesley Wheeler, Lisa Tuttle, Sarah Tolmie, Nisi Shawl, Tansy Rayner Roberts, Cheryl Morgan, and others. I'll be adding links below as I upload each new contribution, to provide a list for convenient reference. 

I hope you'll enjoy reading these as much as I do, and maybe even swell your ever-growing list of titles you want to read. Sometimes it seems that the volume of books published is so tremendous that it's no surprise that really wonderful work often slips below one's personal radar. And of course, this year, will be the added interest of seeing how or whether the difficulties of 2020 have affected others' reading, viewing, and listening pleasures.  

Part 1: Lesley Wheeler

Part 2: Som Paris  

Part 3: Lisa Tuttle

Part 4: Erin K. Wagner

Part 5: Holly Wade Matter

Part 6: Tansy Rayner Roberts  

Part 7: Margaret McBride

Part 8: Nisi Shawl 

9. Suzy McKee Charnas

10. Lee Mandelo 

11. Beth Plutchak

12. Sarah Tolmie

13. Kate Boyes 

14. Anya Johanna DeNiro

Part 15: Cesi Davidson

Part 16. Cheryl Morgan

 Part 17: Julie C. Day

Part 18: Christopher Brown

Part 19: Lisa M. Bradley  

Part 20: Kristi Carter

Part 21: Andrea Hairston

Part 22: Gwynne Garfinkle

Part 23: Alisa Alering  

Part 24: Susan diRende

Part 25: Rebecca Holden

Part 26: Nancy Jane Moore

Part 27: Mark Rich  

Part 28: Lesley Hall

Part 29: Christina M. Rau

Part 30: Cynthia Ward

Part 31: Eileen Gunn  

Part 32: Isabel Schechter

Part 33: Arrate Hidalgo

Part 34: Vandana Singh 

 


Sunday, November 15, 2020

Holly Wade Matter's Damned Pretty Things


 

 Aqueduct Press is pleased to announce the release of Damned Pretty Things, a debut novel by Holly Wade Matter, in both print and e-book editions. You can purchase it now from Aqueduct Press at www.aqueductpress.com.

Fortune is an itinerant musician without a past who braids memories into her hair. Maud is a sheltered small-town girl and an unwitting heir to the notorious McBride family magic. The two young women meet when Fortune is commissioned to bring Maud to a rich man whose grandson she cursed. United by their love of music and their hunger for the road, Fortune and Maud form a friendship…one that is threatened not only by Fortune’s mission but also by their mutual desire for a man called Lightning. 

 

 

Advance Praise

“Sweet as vanishing dreams, tender to the touch as new memories, wise as nursery rhymes, tasty as blueberry pancakes, Holly Wade Matter's Damned Pretty Things is a wondrous redemption tale of the triumph of love and friendship over pain and difference."
 —Nisi Shawl, author of Everfair and Filter House

"Damned Pretty Things is beautiful and wise, haunted and haunting. Sui generis. Brilliant. Enjoy."
 —Cynthia Ward, author of the Blood-Thirsty Agent series 

 

Reviews

 

This is a road trip story and a coming of age story and a love story and a buddy story and a fantasy. Two women set out on a trip involving a cursed family and other wonders, and they're pretty magical themselves, although in different ways. They quickly become friends, but that is in jeopardy when they both fall in love with the same man. It is primarily a novel of character, of course, given the premise, and it delivers two strongly likeable people whose world is enhanced by a good deal of subtle detail about the people they meet and the things that they see. I had never heard of the author before, but this was a very pleasant surprise, and I have no doubt we will hear of her again. The ending is bitter sweet.  
  —Critical Mass, Don D'Ammassa

Down-on-her-luck traveling bard Fortune meets the devil on the road and sells her soul for a magical guitar and a fast car. Well, sells her soul and her memories, though she didn’t really consent to that last part.

She travels from town to town, trying to scrounge enough money to buy food and maybe a decent place to sleep. Itinerant and listless and searching for her past, when she meets a strange old man with demands that Fortune deliver him a girl named Maud, Fortune accepts. How can she not, when he offers to pay off her debt to the devil once Maud is in his hands?

....Mystery and danger and friendship weave together like the ‘memories’ in Fortune’s hair. It’s sweet, and creepy, and funny, and wholesome, and in a summer of COVID, makes for a great road trip book (for the road trips none of us get to have right now).  (Read the whole review)
  — J.S. Fields, November, 2020

Wednesday, October 14, 2020

E-book Editions of Nine Books by Suzy McKee Charnas


  

 

I'm pleased to announce the release by Aqueduct Press of e-book editions of nine books by Suzy McKee Charnas. Among these, the collection Stagestruck Vampires and Other Phantasms (originally published by Tachyon Publications in 2000) has not previously appeared in an e-book edition. The other titles include the Sorcery Hall Trilogy, consisting on The Bronze King (1985), The Silver Glove (1988), and The Golden Thread 1989), as well as The Vampire Tapestry (1980), The Kingdom of Kevin Malone (1993), The Ruby Tear (1997), Music of the Night (2001), and My Father’s Ghost (2002).  You can purchase all of them now at www.aqueductpress.com.

 


  I've been a great fan of Suzy's fiction since the early 1980s, so it gives me particular pleasure that Aqueduct can now offer e-book editions of so much of her work. The Vampire Tapestry (1980) is one of those books that I every now and then just have to reread. Here are some of the pull-quotes we've found for it:

 “Probably the best vampire novel ever written.” 
  —Oxford Times

“…Charnas’ view of her protagonist is unswervingly unsentimental, and…her denouement is savage and intense and brilliantly satisfying.

“…Charnas’ writing is also rich and impressive: she seems equally at home on a college campus, in the office of a professional therapist, in the emotions of a 14-year-old boy, and in the music and story of Tosca. The novel works on many levels — as pure adventure, as social description, as psychological drama, and as a passionate exploration of the web that links instinct, morality, and culture. It is a serious, startling, and revolutionary work, and I recommend it to all comers.” 
  —Washington Post

“Told in five interlocking novellas that form a single chronological narrative, this is the story of a seemingly immortal figure… His academic specialty is dream research, but his true nature compels him to seek intimacy with ‘colleagues, students, and social companions’ who then become his admirers and eventually his victims.

“…It’s a fascinating conception, handled with masterly skill. Charnas’ characters are boldly drawn and memorably complex, her prose is alive with energy and wit, her narrative inventions ingenious and atmospheric. Nothing better has been done in this, er, vein since Bram Stoker’s legendary Dracula in 1897. And, as a pure piece of writing, Charnas’ deeply intelligent, disturbing novel may actually be the superior book.” 
  —USA Today


 
Suzy hasn't written a huge amount of fiction in shorter form, but it's all intensely engaging and memorable. Most of it is collected in Stagestruck Vampires and Other Phantasms. 

“In ‘Listening to Brahms’ Charnas proves that she can take global tragedies and extract the most minute yet potent seed of hope from the rubble. Three linked stories comprise a nuanced portrait of her vampiric antihero Dr. Weyland. With its Leiberesque love affair with the stage, this entertaining volume deserves to run as long as Cats.” 
  —Asimov's SF, Paul di Filippo

“An intoxicating mix of exhilaration and terror…every story will have an effect on your psyche, thanks to Charnas’ magnificent style. Her writing is almost poetic in its beauty, but damning in its subject; similar to chocolate-covered arsenic. “ 
  —Horror-web.com


Another, slimmer volume collecting Suzy's short fiction is Music of the Night. These four tales of mythic monsters, who embody our deepest and most secret desires, evoke wilderness and wonders lurking below the familiar surfaces — splendid, coarse, or startlingly every day — of modernity.

“From the moment of reading the ‘true’ story of the Phantom of the Opera…I was drawn into a deep, dark, yet highly erotic world that Suzy Charnas brings to life. I enjoy reading all things paranormal, but this book delves deep into the emotions of the characters… Each story is deep, slightly dark, and on some level it hits where we think our darkest thoughts, though most of us never act upon them. Suzy Charnas has tapped the deepest parts of our lives and brought them out in these stories… What a wonderful collection, that I recommend to anyone who wants something different!” 
  —In the Library

“The Hugo winning, Nebula nominated short story ‘Boobs’ is one story I find myself re-reading over and over again. …a young girl, having come of age over summer break, begins 8th grade and is ridiculed for her new adult body by her fellow students… This story is so well written that I found myself cheering her on as she gets revenge against the immature boys she has to go to school with.” 
  —Fantastic Reviews

 

 The Kingdom of Kevin Malone is YA Fantasy:  Amy, brooding on a family crisis, retreats to Central Park—from the frying pan straight into the fire! Out of her past swoops her old arch-enemy Kevin Malone, the neighborhood punk who used to bully her. Angrily chasing him now through an arched passage under a park roadway, she emerges into another world. Kevin's feverish imagination has transformed Central Park into the Fayre Farre, a land of danger, magic, and heroic adventure. Here, among castles, elves, monsters, wild men, battles, and prophecies, Kevin is a Prince and a legendary champion. He's also still a self-centered jerk with a chip on his shoulder, and he's lost control of his magnificent creation: chaos and destruction are sweeping the land. Despite Kevin's bravado, Amy sees that he desperately needs her help. Will she risk her life in such a thankless job, or just leave him to sort out his own mess? And either way, where will that leave her?

“…the author’s sly digs at the heroic fantasy genre are on the mark, and Kevin makes an unusual hero. He's whiny, sullen, and self-centered, but also a tragic figure with a nascent sense of responsibility… Readers can sift through the whimsy for serious themes or not, as they choose.” 
  —School Library Journal

“…a perfect example of the mixing of genres (contemporary fiction and high fantasy)… Underneath the plotline…is the more serious story of the protagonist's coming to terms with her favorite cousin’s death, and it's the touching way Charnas handles that story, along with her engaging characters and smooth prose, that makes this novel so successful…” 
  —Mystery Scene

 

 The Ruby Tear is a standalone novel originally written under the pseudonym of Rebecca Brand. 

The Ruby Tear is a fun contemporary vampire story revolving around a theatrical production entitled “The Jewel.” The author, Rebecca Brand, writes smoothly and plays well with the conventions of the gothic, which isn’t too surprising when one realizes that Ms. Brand is a pseudonym for Suzy McKee Charnas, who obviously enjoyed writing this book. You’ll enjoy reading it.” 
  —Magazine of Fantasy & Science Fiction

“A highly theatrical novel about highly theatrical characters…There’s some comfortably warm sensual writing, as well as a candid treatment of real sex. Characters who at one time came across as not terribly deep gain another level of interest. And the climax of The Ruby Tear will modestly rip your heart out.” 
  —Locus

 


My Father's Ghost is Suzy's memoir of her father. 

“From [Suzy] Charnas, a true and tender account of caring for her aging father from the time of his truculent arrival at her home to his irascible last illness and death… The author makes good use of entries from [her father’s] journals, full of amusing, brittle, sad, and hopeful anecdotes and musings, epigrams, and reflections on art and life…to capture the mix of guilt, longing, impatience, and empathy that characterizes their relationship. Anyone who has cared for aging and ill parents will recognize and perhaps be comforted by this frank delineation of the mixed emotions called up by the death of a father.” 
  —Kirkus Reviews

“…a moving, thoughtful… never sentimental account of how daughter and father get to know each other in middle and old age…Robin’s unique combination of eccentricity and strength speaks for itself… Charnas’ story is bound to be a guidebook and an inspiration for anyone caring for aging parents.” 
  —USA Today

 

And finally, we have the Sorcery Hall Trilogy.What if your home town was invaded by wild magic spilling over from a sorcerers' war on distant battlefields? What if no one notices or realizes what's happening, but magic wakes and sings in your own blood, and unlikely warriors seasoned in an ancient struggle demand your help. What if you were born to be one of them? This is the story of Valentine Marsh, a New York kid faced with the call of an impossible destiny; of her divided family, her enemies both home-grown and far-flung, and her awed and unlikely fellow-adventurers who, with Val in the lead, battle their way to the lofty gates of Sorcery Hall. 

 


  The Bronze King: Sorcery Hall Book 1.

As a teenager, music — on radio and records — was the unfailing touchstone to my true, inner feelings. This story of heroes, punks, a dragon, and a girl fighting for her city’s life alongside a violin prodigy and a street fiddler (aka, ancient wizard) is my tribute to the power of music and those who make it.

“…A breathless and fast moving fantasy… The details are exactly right, from the wizard as busker, to the three messengers of evil as young hoods in jackets emblazoned ‘Prince of Darkness’, to a splashing, roaring final showdown…in Central Park…” 
  —Library Bulletin

“The tensions and startling switches in developments, as well as the author’s realistic evocations of metropolitan life, result in an unforgettable novel.” 
  —Publishers Weekly 

 


The Silver Glove: Sorcery Hall Book 2

“…sinister Dr. Brightner…is installed as the new school psychologist the same day Val’s magic Gran runs away from her nursing home. A renegade wizard, Brightner is after souls, and he’s been trying to get Gran to his clinic for ‘research.’ Val is horrified to find that he is trying to seduce her mother, who has long denied Gran’s magic and doesn’t see the threat. This is a book to relish: told in Charnas’s nearly perfect first-person narration, Val’s engaging personality of savoir-faire and innocence is judiciously mixed with a flying carpet, a deliciously scary Indian witch and a wonderful final confrontation in Central Park.” 
  —Publishers Weekly

“Charnas excels at making magic a believable part of her city, and her characters real city dwellers…magic is well handled: the good forces can’t use their magic directly against the evil Dr. Brightner and his minions, but must turn Brightner’s own attempts to hurt them back on him. It’s a clever, believable book.” 
  —Locus


 The Golden Thread:
Sorcery Hall Book 3

“With her beloved sorceress grandmother in a coma and hospitalized, 14-year-old Valentine Marsh…is assigned to assist a strange foreign exchange student, Bosanka, who reveals that she is a powerful, magical ruler of another world and…demands that Val and her friends use their power to find her misplaced subjects. Val fears Bosanka’s people may subdue and misuse humankind, yet she dreads to refuse the royal commands.

“Charnas shows the adventures of a typical high-school girl who just happens to have inherited some degree of white magic talent. In so doing, she touches on a host of contemporary issues, the most important of which is her ecological message that we are one people and must use technology to preserve the earth rather than destroy it. If all this seems a ‘stretch,’ it isn’t. Charnas neatly ties seemingly disparate pieces together into an exciting, absorbing, contemporary romp.” 
  —School Library Journal

“The third in Charnas’s series about a girl gifted with wizardly power in contemporary Manhattan, this may be the best. The characters are real, and the struggle between good and evil transcends the usual clichés.” 
  —The Magazine of Fantasy and Science Fiction


Monday, October 12, 2020

Raven Nothing by Som Paris


 

I'm pleased to announce the release, in both print and e-book editions, of Raven Nothing, a debut novel by Som Paris. It's available now from Aqueduct Press at http://www.aqueductpress.com. Read a sample from the book.

Raven, a trans girl from south London, wakes on a piece of ice floating on a frozen ocean. Adap, who has lived his whole life in a dying village just off the coast, finds her and brings her home. When she is told she must travel to the Golie Mountains, at the center of the world, Adap volunteers to take her. Together they navigate around a resurgent soviet-esque state that is at war with an ancient culture of gender-wild shamans. As they travel, she realizes that there is no one in this magical world who is not black, like her, and that every place they go seems uncannily familiar. 

 Anya Johanna DeNiro, author of Tyrannia and Total Oblivion, More or Less, writes: "Raven Nothing is a portal story desperately needed for our times. Raven, the protagonist, is a “crossover” in more ways than one, and the novel reveals how these different crossings—with gender, space, and psychology—intersect. Urgent, poignant, and lyrical, Raven Nothing expands the possibilities of fantasy literature."

"Paris successfully builds the tension with descriptions of the strange, monstrous creatures populating this off-kilter world and moments of high-stakes danger for the protagonists—as when a nefarious shaman drugs Raven and Adep. The worldbuilding boasts well-developed political structures and intercultural conflict, and the all-Black cast shines. Paris’s sensitive approach to both race and gender is sure to impress; readers will be excited to see what this promising author does next."   (Read the whole review)
  —Publishers Weekly, Sept 2020


Tuesday, September 15, 2020

Hal Y. Zhang's Goddess Bandit of the Thousand Arms

 

I'm pleased to announce the release of Goddess Bandit of the Thousand Arms, in both print and e-book editions, as the seventy-seventh volume in Aqueduct's Conversation Pieces series.You can read a sample of the book or purchase a copy (or both!) now at www.aqueductpress.com.

Women with knives and loves travel through time and space in Goddess Bandit of the Thousand Arms, the first full-length collection of Hal Y. Zhang. In personal, lingering poems and a short story, Goddess Bandit details the ways—fantasy, escape, insurrection, deification, transcendence—women and often unheard voices can overcome oppression and become bright lights against the darkness.