The Pleasures of Reading, Viewing, and Listening in 2015
by Brit Mandelo
The biggest thing for me, this
past year, was teaching a seminar for Honors student at the University of
Louisville in Queer Speculative Fiction. So, I did quite a lot of re-reading of
texts with the intention of teaching them to some fresh young faces. We read
theory and short fiction, but also several novels, including: The Left Hand of Darkness by Ursula K.
Le Guin (1969), The Female Man by
Joanna Russ (1975), selections from
Octavia Butler's Xenogesis, Angels in America by Tony Kushner
(1993), Fight Club by Chuck Palahniuk
(1996), The Drowning Girl: A Memoir
by Caitlin R. Kiernan (2012), some
stories from my own Beyond Binary
(2012), Rhapsody: Notes on Strange
Fictions by Hal Duncan (2013), and
Queer Theories by Donald Hall (2003).
All of these are books I've read
over and over again, but doing so with an eye to connecting them to the larger
concepts of genre and politics in a classroom was immensely fun. I had a
particularly enjoyable time watching students process the different approaches
to similar issues taken by Le Guin and Russ; the juxtapositions between Angels in America and Fight Club were also productive. And of
course, I read all of their papers and research and thoughts on the
texts—almost more rewarding, truly.
Otherwise, though, in my own time
I read more young adult fiction than usual. I think this might have something
to do with several friends and associates having books come out, but also, I
took a distinct pleasure in the freshness and often-positive approach to
interpersonal issues, loss, and desire that books written with a younger group
of folks in mind tended to have. Because
You'll Never Meet Me by Leah Thomas had a lot to offer—the epistolary style
worked well for it. (And, bonus, if you were a fan of Pacific Rim and the characters of Newton Geiszler and Hermann
Gottleib… Well. You'll see certain delightful similarities.) I also enjoyed
Christopher Barzak's rust-belt magic realism and queer coming of age in Wonders of the Invisible World. Leah
Bobet, too, knocked it out of the park with Inheritance
of Ashes—that was one of my favorite books of the year, hands-down, for how
it treats relationships. Plus, it has a really delightful plot and approach to
the magic/science question.
Otherwise, I caught up on some
short fiction recently. The new Best
American Science Fiction and Fantasy series appears to be off to a strong
start; I also read a few collections, like Kelly Link's Get in Trouble, that I very much enjoyed. I intend to get back into
reading the short stuff more again, having finished teaching. That'll eat up a
lot of a person's free hours, when they're also working a full-time position
too like I have been.
As for other media, the
conclusion of Hannibal—which I wrote
about here last year—was everything I could have dreamt up. It is a tragic and
awful love-song of the highest order, and the primary couples in the end are
all queer, so: take that, network television. Beautiful and terrible, this
show. I'm a bit sad to see it go, but the ending was exactly right. I also took
a great and amount of—very different—pleasure in Mad Max: Fury Road, for its treatment of women and violence and
relationships. Plus, it was the car-chase-desert-war-metalcore-thrash-fest
movie of my best hopes. Sometimes, that's all I need.
Music was, to be honest, more of
the same: still stuck on The Wonder Years
and trying to piece together a path through to the other side. I saw them
perform live in Chicago, and that was truly a pleasurable experience; moreso
than the first time I saw them, last year in Cincinnati. I'm looking forward to
the forthcoming Brand New album as
well—but that'll be for next year.
Best wishes for all the readers
and listeners and watchers out there: see you again next time.
Brit Mandelo is a writer, critic, and editor. She has been a nominee for various awards in the past, including the Nebula, Lambda, and Hugo; her work has been published in magazines such as Clarkesworld, Tor.com, Stone Telling, Apex, and Ideomancer. She has published two books, Beyond Binary: Genderqueer and Sexually Fluid Speculative Fiction (Lethe Press, 2012) and We Wuz Pushed: On Joanna Russ and Radical Truth-Telling (in Aqueduct's Conversation Pieces series).
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