Showing posts with label Rebecca Ore. Show all posts
Showing posts with label Rebecca Ore. Show all posts

Sunday, February 15, 2026

Writing's Writing by Rebecca Ore


 

I'm pleased to announce the release of Writing's Writing, a book of memoirs and poetry by Rebecca Ore, the ninety-ninth volume in our Conversation Pieces series. It is available in both print and e-book editions from Aqueduct Press here:  https://www.aqueductpress.com/books/978-1-61976-284-8.php.

  In Writing's Writing, Rebecca Ore engages in what she calls "fishing in memory," in which strange short scenes float up, things forgotten for decades, linking to names and to scenes she has to thread with words to connect them. Memory never delivers everything it holds along a particular thread of words, but it can tell a tale. Ore knows that someone else from those days might see her thread of words as only one link in a different narrative of those times. Her memoir is personal, and it reflects and reflects on how she herself changes over time.

You can read a sample here:  https://www.aqueductpress.com/books/samples/978-1-61976-284-8.pdf

Advance Praise 

"With Writing's Writing, Rebecca Ore takes us back to the 20th century, to life as a woman in the southern United States and life as a poet in New York City, to life as a student, a writer, a teacher, a person — to life. In memoir, prose, and poetry, she evokes a lost world, maybe even an alien world, with exactness and without rosy nostalgia. I caught my breath on the vertiginous sweep of some sentences. In this book, Ore returns to us a writer we might otherwise have lost: Rebecca Brown, a young poet who deserves to be heard and remembered." —Matthew Cheney, author of Changes in the Land and The Last Vanishing Man and Other Stories

 "I first noticed Rebecca Ore when her first SF novel came out: Becoming Alien. I liked it a lot, and I liked the two sequels. I have all three in my bookcase, carried safely through many moves. Ore is a fine, intelligent, individual writer, who covers topics not usually covered in SF: for example – in the Alien Trilogy and her stand-alone novel Slow Funeral -- life among working and middle-class whites in the American South. Slow Funeral uses magic as a metaphor for class power in the South. I found it amazing. 

"The longest essay in this book is a kind of autobiography: how Ore became a fiction writer through living in the rural South as a child, then in New York City as an aspiring poet, working clerical day jobs and going to poetry readings at night.  She moved on to the poetry scene in San Francisco, then back to the rural South. Those moves and her experiences explain how she has such  a good sense of regional and class differences. A lot of SF is about disjunction, about reality that is in some way broken or uncertain. It helps if your own life has taught you are there is more than one kind of reality. You learn about sexism working clerical jobs and going to poetry readings, if you didn’t know about it before. (Men often dominate at readings and on the job. Or did in the 60s and 70s and…) The difference between how you are regarded and what you want to be is another disjunction.

"The. second essay is about a bicycle tour of New Jersey. I haven’t figured out why I like it, but I do. The bicycle tour was hard work and not entirely safe, since Ore was riding alone. She describes her stops and the people she met. As is true of her other work, she has a good sense of the variety of people in the US.  Finally, there is some of her poetry. Ore was not moving among amateur poets. She knew Diane Wakoski and Gary Snyder, people I have admired from afar and who are major American poets. Though Snyder seems to have lasted better than Wakoski. (Women artists often fade from history and are discovered later.) Ore’s work was being done among professionals. 

"All in all, this chapbook tells you interesting things about an interesting writer. If you haven’t read her other books, find them and read them. Aqueduct has brought out new e-versions."--Eleanor Arnason, author of Ring of Swords and Hwarhath Stories
    . 

Friday, December 15, 2023

Rebecca Ore's Collected Ogoense

 


 

 I'm pleased to announce the release of Collected Ogoense, a collection of stories by Rebecca Ore, in both print and e-book editions. You can purchase it now from Aqueduct Press at www.aqueductpress.com.

 

This volume of stories and novellas collects some of Ore's valuable fiction of the 1990s, work that continues to be of vital interest with a strong focus on persistent issues that remain urgent in our current world. In “Hypocaust & Bathysphere,” time-traveling academics more than meet their match in the medieval inhabitants they assume are naĂ¯ve and ignorant and easily “studied. The historians exploring America’s past in “Scarey Rose in Deep History” uncover secrets in that past that challenge them personally to the core. 

“Stone Whorl Flint Knife” and “Horse Tracks,” set in Ore’s Bracken County where magic works and logic doesn’t, are tales of love and vengeance that play out amidst that county’s high-stakes power struggles. In “Collected Ogoense,” the volume’s title story, an underpaid biologist toiling over dangerous pathogens seeks refuge from the bleakness of her existence in her passion for African killifish until treachery takes her refuge from her and launches her into the obsession for revenge. And “Accelerated Grimace,” on the 1998 Otherwise Award Honor List, explores the effects of a technology on the transactional relationship between an artist and his muse/trophy wife whose great ambition is to be a famous artist’s widow.

 Praise for Rebecca Ore’s Work


“Centuries Ago and Very Fast…has a kinetic energy and hard-to-define originality that held me captivated from first word to last. Profane—scandalous?—the book wraps stories around stories, combines the surreal with the mundane and everyday.” —Jeff VanderMeer, Locus Online, February 2010

 “Ah, but a true power chord is infinitely replenishable, given enough talent on the part of the author. And Rebecca Ore proves this to the max with her new ‘novel in stories,’ Centuries Ago and Very Fast.... This novel comes with an endorsement from Samuel Delany, and on sexual and gender issues it exhibits the same polished rawness and sophisticated yet wide-eyed wonderment that Delany’s writing is famous for.” —Paul Di Filippo Asimov’s, March 2010


 

Tuesday, February 26, 2013

New e-book editions from Aqueduct

Aqueduct Press released two new e-book editions today.

Richard Bowes's The Queen, the Cambion, and Seven Others (Conversation Pieces Vol. 35) is available in both mobi and epub formats for $5.95 through Aqueduct's site. For a description of the book, see yesterday's post here.

We're also bringing out an e-book edition of Rebecca Ore's Gaia's Toys, which is otherwise out of print, originally published by Tor in 1995. Gaia's Toys is a tale of eco-terrorism set in a dystopian near future of gene-manipulation, medical nanotechnology, and environmental damage; an examination of the risks of overpopulation and uncontrolled technological expansion. This action adventure story is filled with theoretical political ideas. The main characters are a collection of misfits whose lives are linked together through a scientist’s experiments in ecological reconstruction: a species of giant mantises that treat their anxiety stressed human companions with tranquilizing pheromones; and bioengineered wasps drawn to human anger and conflict in order to sting the offenders into a sleep state. Humans manipulate earth's creatures as if they were toys while the bio-altered creatures transform us.

Here's the 1995 review from Booklist:
Thanks to its brilliant, macabre vision of America's not-too-distant future, Ore's new novel puts her squarely in the ranks of such leading-edge sf talent as William Gibson and Neal Stephenson. The twenty-first century she imagines brings--along with bioengineered nanoviruses that keep the rich perpetually young and mandatory cyberspace brain hookups for the poor (for human brains, it turns out, are cheaper than computer brains for running menial programs)--a ruthless caste of eco-terrorists whose latest strike wipes out a score of oil refineries with a miniature nuclear bomb. One terrorist named Allison, aka Mattie Higgins, is nabbed before the explosion, interrogated with high-tech brain probes, and cleverly drafted as an undercover infiltrator for the government. Her new objective: to catch an outlaw gene-tweaker who is breeding insects capable of drugging humans into pacifism. Using three ingeniously different points of view, Ore fuses slick and absorbing storytelling with sophisticated speculative science.

The e-book edition is available in both mobi and epub formats for $7.95. You can check it out here.


 

Wednesday, December 12, 2012

The Pleasures of Reading, Viewing, and Listening in 2012, pt.6: Rebecca Ore

Nicaragua and Alexandria 
by Rebecca Ore 
Jinotega, Nicaragua

What I've been reading has been a number of books on Nicaragua and Mexico.

Since I've never been to Mexico, I don't know for sure, but Mexico doesn't seem like here. Everything in Nicaragua, at least where I live, is both personal and slightly formal. Mexico seems maybe more raucous (www.Mexfile.org), more photographs of dead bodies, less of Pedro X. Molina's cool cynicism about the current political situation. Mexican make films like Machete and help with films like And Pancho Villa as Himself; Nicaraguans make films like La Yuma and help the Spanish make films like Sandino.

The other thing I'm currently reading, at Liz Hand's recommendation, is Lawrence Durrell's Alexandrian Quartet. A friend said that there are two ways to be an expatriate: assimilate and try to be part of the local culture from the inside (as much as anyone can -- and the online expat friends I have tend to do this: one in Japan, two in the UK who came from other English-speaking countries, and an Ecuadoran man in California. Other expats have social lives strictly with other expats. I meet them in airport lounges and we chat briefly, exchange email addresses, and that's it.

Durrell's main characters are not Arab Egyptian Muslims -- and Alexandria is like a foreign city within Egypt. His people are Copts, Jews, English men, and exotic women. One has died in the first volume.

Trieste must have been like this; London is probably like this now; and New York had a whole community of artists who were more international than not, citizens in spirit of many countries, regardless of what their passports say, plus the more typical immigrant communities who came to the US to become Americans.

What Alexandria has, in the novel and in its real life, is its depth of history combined with connections to a real founder, real characters in the past living their lives, the roots in the Ptolomaic line, the place where Mark Anthony and Cleopatra twisted sex, ambition, and death together. Durrell's characters continue that tradition. The language quivers at the brim of too lush, end of that fashion, and what was next in fiction was a drier and more understated style.

The exotic Alexandrians are closer to the various upper middle class Nicaraguans who scattered from Russia to the US to Sweden, and who are married to people from yet different countries, or to women who conceal for years that they speak English better than their husbands. Durrell's women are intelligent but victims, and the sex is an emotional force in the book, but not directly on camera. Almost everyone is a writer or artist, or in some position with government except for the much cuckolded banker husband of one of the main female characters.

I haven't finished reading it yet, but this Alexandria is nothing like the expat world in Nicaragua with its range of libertarians, right wingers, and various people who are trying to pull off lives they couldn't make cohere in the US, and I suspect that some of the polish was in Durrell's mind, but there's a sense of loss for what his Alexandria was: a city wandering in time, not really attached to any particular country, its most famous poet a Greek, its most famous citizen a Roman, its novelist a British man born in India.

All we have in Jinotega are an Azerbaijani vet on her second Nicaraguan husband; a German married into a poor branch of the Pellas family; a handful of retired Americans; and one Nicaraguan family with kin in Sweden, the US, and Guatemala, who've lived in Russia and Cuba. Beyond that is the Chinese family who are Catholic and Chinese-speaking, and completely Nicaragua except that we all call their store the Chinese store.

But some days, I wouldn't be surprised if we all woke up to find our computers hacked and Nahuatl language programs installed, and everyone with that one Spanish great-grandfather in the otherwise indigenous families all dressed again in the traditional clothes, only machine-woven, and all of them talking on cell phones, though I suspect that's my romance and not theirs.



Rebecca Ore's fiction burst upon the world in 1988 with the publication of her celebrated Becoming Alien trilogy, the first two novels of which were nominated for the Philip K. Dick Award. Since then she’s published a great deal of short fiction and numerous novels, including Gaia’s Toys, Time’s ChildOutlaw School, Slow Funeral, the short fiction collection, Alien Bootlegger, and from Aqueduct Press, Alien Bootlegger and Centuries Ago and Very Fast, a collection of linked short stories that was a finalist for both the Philip K. Dick and the Lambda Awards. Aqueduct Press has also published her latest novel, Time and Robbery, and is in the process of releasing numerous titles in her backlist in e-book editions.

Saturday, December 1, 2012

Rebecca Ore's Slow Funeral now available as an e-book

Aqueduct has released another e-book: Rebecca Ore's Slow Funeral, the fifth of the titles in her back-list that Aqueduct is making available in e-book editions. This one was first published in the mid-1990s, and is dark fantasy, in which magic exists but is entangled with delusion and deception and practicing witches, though more powerful than the magically untalented among them, are, as protagonist Maude Fuller puts it, like cocks equipped with spurs fighting for the pleasure and profit of their owners.

Here's a brief description of the novel:

Bracken County, nestled in the Blue Ridge region of the American South, is like no other place on earth. Behind its facade of small-town Southern life, magic works and corrupts all it touches. Maude Fuller ran away from Bracken County when her parents were killed. She has been running ever since, trying to deny her innate magical talent. Now Maude's grandmother is dying, and Maude is drawn home and succumbs to the temptation to draw Doug, a Berkeley engineer, after her. Once home, she tries to see through the layers and layers of deceptions snaring everyone in Bracken County, including its most powerful witches. Can she resist using her talent and still find a way to save her grannie's soul and Doug's life?

Michael Swanwick blurbed the book:  "Slow Funeral is gritty and clear-eyed, unique and vastly entertaining."

And here are quotes from a couple of reviews:

 "Vivid and intense...It's good to find a book this dark that still make the reader think, as well as feel those usual shivers."
   —Locus

"Ore Portrays a magical world in conflict that is a superb reflection of the world in which we live."
   — Analog

The e-book is available now through Aqueduct's website, and will be available elsewhere (Wizard's Tower, Weightless, Amazon) in a week or so. 

Friday, October 26, 2012

New e-book titles from Aqueduct Press

Aqueduct has released three new titles in e-book formats:

--Gwyneth Jones's Spirit

 A space opera set in Gwyneth Jones's Aleutian universe, Spirit re-visions Dumas's The Count of Monte Cristo and further explores the workings and consequences of the series' Buonarotti Transit. Bibi, the sole survivor of her tribe, serves Lady Nef, the wife of General Yu, whose forces exterminated Bibi's tribe. Constantly embroiled in court intrigues and conspiracies, Nef and Yu are sent on a dicey diplomatic mission to Sigurt's World, which culminates in murder and betrayal, resulting in Nef's and Bibi's imprisonment in the ultimate oubliette, from which escape is virtually impossible. As Karen Joy Fowler noted in her review for the Guardian, "Escape is costly; revenge complex." This is, indeed, Dumas for the 21st Century.


--Rebecca Ore's The Illegal Rebirth of Billy the Kid

In 2067, human cloning is a part of everyday life. But it is a bizarre form of cloning: not actually the direct copying of a humans, but rather the construction of custom-made reproductions of humans using animal DNA. The CIA uses these so-called "chimeras" for various undercover operations, and one of their technicians, Simon Boyle, has a sideline making illegal copies: chimeras based on famous criminals, for rent. His Billy the Kid, a creation unable to comprehend or sometimes even recognize the sorts of things that didn't exist before the 1880s and endowed with powerful sex pheromones, is quite popular for a night of historically convincing passion with rich women, particularly the part where Boyle (as sheriff Pat Garrett) guns him down. As the story progresses, Billy the Kid starts remembering things from his previous lives. One of Boyle’s clients sets Billy loose into the mean streets of the 21st century, where he struggles to seize control of the myths in his ROM. Jane, a worker in a shelter for abused chimeras, has her life turned upside down as she's caught up in a struggle for possession of Billy. Sex pheromones or not, not only is Billy's identity as a real person at question, but the notion of masculinity as well.   

Eleanor Arnason's Ordinary People (Conversation Pieces series Vol. 7)
 
Spanning thirty years, this volume collects six stories, one poem, and a WisCon Guest of Honor speech. In the richly ironic "Warlords of Saturn's Moons," first published in 1974, a cigar-puffing woman writes space-opera while the drama of real-life inner-city Detroit goes on around her; "The Grammarian's Five Daughters" offers a playful explication of the uses of the parts of speech; "A Ceremony of Discontent" takes a humorous approach to a modern-day feminist problem; and Arnason's wise, earthy tales of hwarhath serve up new myths explaining the origins of the world and morality (among other things). The work in this collection entertains with its wit, delights with its precision and imagination, and challenges and provokes with its bluntness. Ordinary People offers a small, potent taste of the oeuvre of an important feminist sf author.
 
Like all of Aqueduct's e-books, these can be purchased, DRM-free, through our site in both mobi and epub formats, as well as from Weightless Books, Wizard's Tower, and Amazon.com.

Monday, May 7, 2012

Rebecca Ore's Alien Trilogy

I'm happy to announce that Aqueduct Press has just released e-book editions of Rebecca Ore's Alien Trilogy: Becoming Alien, Being Alien, and Human to Human. I remember, on first reading Becoming Alien, running around from one Seattle bookstore to the next, in desperate, needy search of the other two. There'll be no need to do that now! The trilogy was first published in the late eighties and has been out of print for a long time. Aqueduct Press is selling them here for $7.95 each.

Aqueduct will, by the way, be releasing e-book editions of more of Rebecca's backlist in the near future.

ETA: It occurs to me that I should mention, this trilogy features a protagonist who thinks of himself as "a country boy" (which others call "hillbilly"), and offers a lot of insights into class relations from a view that's not middle class.   

Thursday, February 9, 2012

Pre-Release Special for Rebecca Ore's Time & Robbery

Aqueduct Press is pleased to announce the publication of Time and Robbery, a new novel by Rebecca Ore, author of Gaia's Toys, Time's Child, Slow Funeral, and other well-received books, as a trade paperback, in March 2012. Aqueduct will be selling the book for $13 through its website until its release date of March 1.

Time and Robbery features the protagonist of Ore's Centuries Ago and Very Fast, Vel, a gay immortal born in Paleolithic who jumps time at will. Unless Vel can help out his younger self, Vel's tribe's descendants—a big chunk of the 21st-century British population—will be eliminated from the timeline. Present-day Vel, though, has problems of his own, so he takes a chance and outs himself (and his talented teen-aged daughter Quince) to Joe Tavistock, a subcontractor on the weak end of the plausible deniability chain dangling off British intelligence, making it Joe’s problem. Joe's superiors are dubious, and Joe doesn't know who to trust. The stakes are high not just for Vel, but for everyone involved.

Rebecca Ore's first book about Vel, Centuries Ago and Very Fast, was a finalist for the Philip K. Dick and the Lambda Awards. As Jeff VanderMeer wrote for Locus Online: “Centuries Ago and Very Fast by Rebecca Ore (from the truly amazing Aqueduct Press) has a kinetic energy and hard-to-define originality that held me captivated from first word to last. Profane—scandalous?—the book wraps stories around stories, combines the surreal with the mundane and every-day.”

Advance Praise

"Rebecca is up to her old tricks here: surprising, puzzling, and delighting us at every turn; and in this sleek, lean detective tale, coolly twisting the tail of Time itself. Ore is that rarest of creatures, a writers' writer that readers also love."   —Terry Bisson, author of Fire on the Mountain and TVA Baby

 "When does a short novel qualify as an epic? When Rebecca Ore writes of centuries of kinfolk, millennia of hot sex, and a few days of investigating an impossible crime. Read this like you'd take a pill pushed into your hand by a stranger in a new nightclub in a city you've never been to. It's worth the trip." —Nick Mamatas, author of Move Under Ground and Sensation
 

Tuesday, December 13, 2011

The Pleasures of Reading, Viewing, and Listening in 2011, part 6: Rebecca Ore

Reading Nicaragua
by Rebecca Ore

I’ve been living in Jinotega, Nicaragua, since the end of July 2010, and have been an official resident since December 21 or so of the same year. When I first came here, it reminded me, sociologically, of the Appalachians, with a range of people in a number of communities all being seen as the locals, a backdrop against which the people who discovered the place, often meaning the scenery more than the people, did various things that couldn’t be done where they came from.

This impression hasn’t changed. Nicaragua has been seen as a great opportunity for the Anglo Saxons since Thomas Belt wrote The Naturalist in Nicaragua. Where I live now, he described:
Jinotega is pleasantly situated, and has many advantages over other Nicaraguan towns. The climate is temperate and moderately dry, the land very fertile. Pine trees on the surrounding ranges furnish fuel and light. Pasture is abundant; for two miles below the town the valley opens out into wide "campos" covered with grass, on which a large number of horses, cattle, and mules are reared. (Thomas Belt. The Naturalist in Nicaragua (Kindle Locations 2992-2995)).
The wide campos and the village of Apanas are now under a reservoir for hydroelectric power generations.
Belt disliked mestizo culture and preferred the indigenous:
Probably nowhere but in tropical America can it be said that the introduction of European civilisation has caused a retrogression; and that those communities are the happiest and the best-governed who retain most of their old customs and habits. (Kindle Locations 3435-3436).
I’ve had discussions with a Nicaraguan acquaintance over the survival of the indigenous culture or not. He claims that without the language, the person isn’t Indian. I get the very strong impression that a lot of indigenous ways of being with people still survive.

The one really alarming note in Belt’s book is his belief that Nicaragua will be finally taken over by Anglo-Saxon colonists, even though he notes that most Europeans and North Americans who have settled there ended up living Nicaraguan lives.
There is one form of colonisation that will be successful, and that is the gradual moving down southward of the people of the United States. When the destiny of Mexico is fulfilled, with one stride the Anglo-American will bound to the Isthmus of Panama, and Central America will be filled with cattle estates, and with coffee, sugar, indigo, cotton, and cacao plantations. Railways will then keep up a healthful and continuous intercourse with the enterprising North, and the sluggard and the sensual will not be able to stand before the competition of the vigorous and virtuous. Nor will the Anglo-American long be stayed by the Isthmus in his progress southward. Unless some such catastrophe happens as a few years ago threatened to cover North America with standing armies as in Europe, which God forbid, not many centuries will roll over before the English language will be spoken from the frozen soil of the far north to Tierra del Fuego in the south. (Kindle Locations 4585-4592).
This attitude seems to linger on, not so directly spoken, in some of expatriate plans in the current day.

Bill Drake’s Cultural Dimensions of Expatriate Life in Nicaragua is a generic ex-pat book fleshed out with some actually decent advice on living in Nicaragua, but those parts are rather Managua-centric and US embassy personnel-centric. The section on culture shock is probably useful (I suspect people more firmly integrated into their home cultures than I was will have more problems). He says learning the local language, being in immersion classes, will help there. Other advice: Make local friends and don't spend too much time with expatriates who aren't integrated into the local culture.

Drake describes a subset of expatriates who spend their time together in bars and restaurants complaining about the locals, assuming that none of the local speak the language when national intelligence agencies often have agents working in such places. The net forums have created a similar venue with even greater chance of Nicaraguan intelligence checking to see what the gringos are bitching about now.

Drake contrasts high context cultures with low context ones. High context cultures are the ones known for circumlocutions, not saying things directly, not wanting to disappoint people to their faces in matter of invitations and saying instead things like "we'll try to make it," which Drake suggests is a Nicaraguan way of saying no. (He also says that individuals have differences and benevolent stereotypes are as annoying as negative ones). I recently had a discussion with Nicaraguan friends over a visit a visiting friend and I were going to make to their finca, and my friend said that she really hadn’t been able to follow all the conversation. Southerners won’t have any problems – they do politeness as a weapon, just tone it down a bit and Nicaragua will seem as straightforward as you should want.

One of the major things that happened here was The Revolution, July 1979. From the United States, it looks more clear-cut than it looks in Nicaragua. An acquaintance, who fought for the FSLN, whose father and grandfather were opposed to Somoza, said the main thing to keep in mind was that everyone was very scared.

Three books are among the best non-specialist, non-resident introduction to the revolution and Contra War era: Unfinished Revolution: Daniel Ortega and Nicaragua's Struggle for Liberation, by Kenneth E. Morris; The Jaguar Smile, by Salman Rushdie, and Nicaragua: Living in the Shadow of the Eagle (Fifth Edition), by Thomas W. Walker and Christine J. Wade.

Unfinished Revolution: Daniel Ortega and Nicaragua’s Struggle for Liberation is the most recent book, published in 2010. Since then, Ortega has been re-elected President to considerable concern from the exiled Nicaraguan and Cuban community in Miami, with over 60% of the vote.

While there's some overlap with the latest edition of Nicaragua: Living in the Shadow of the Eagle, this focuses on Daniel Ortega and includes more details on various accusations against him, including the child molestation charges, than I've seen elsewhere. The writer is grudgingly sympathetic to Ortega, so if that would be unacceptable, start with Nicaragua: Living in the Shadow of the Eagle. Morris writes: "It is simply a mistake to underestimate Daniel Ortega's political savvy."

Morris’s account reminds me of Lyndon Johnson, another consummate politician who could only be kept in check by his own moral principles, which worked brilliantly for Civil Rights (Kennedy kept Civil Rights around as a house pet and would have probably never gotten anything passed) and disastrously for Vietnam (I doubt that Kennedy would have behaved any better, despite the myths of Camelot). Both Ortega and Johnson appear to have embarrassed the traditional liberal classes by the roughness that never left either.

Although Salman Rushdie pointed out that many of the Sandinistas he met had the same class origins as the Guardia, Ortega was lower-middle class. Many of the upper class Sandinistas broke with him.

Besides Ortega, the book looks closely at the personal histories of some of the other Nicaraguan revolutionary leaders: Sandino, and, in greater detail, Fonseca and the other Ortega brothers. They were almost all lower middle class men: "Also, contrary to Marx, it would seem that the lower middle class is more prone to revolutionary enthusiasm than the working class, because it has a stake in the system yet feels vulnerable."

Both Ortega and Tomas Borge were the products of private Catholic high schools, with Ortega's family having trouble paying the fees from time to time. Ortega began his political actions in his teens and when he sat for his high school graduation exams, National Guard was waiting for him. His school gave Ortega temporary asylum, an undocumented deal was cut, and he was able to graduate and even attend university briefly.

Unlike the common US left assumption that Ortega only returned to the Catholic Church to get its support in 2006, this book keeps in focus Ortega's lifelong connection to Catholicism. Also, unlike the other books I've read, Morris discusses the early bank robberies the FSLN used to support itself ("We're the FSLN and we're robbing this bank to overthrow Somoza" seems to have been what the muchachos said) and Ortega's ambush killing of a National Guardsman who had brutalized prisoners. Ortega's conviction for one of the bank robberies sent him to prison, where some of the guards were FSLN sympathizers and made sure that the political prisoners had access to radios and reading material. Prison bred the strongest alliances of Ortega's life: the only political prisoners serving with Ortega to survive the revolution, Jacinto Suarez and Lenin Cerna, remained loyal to him for life, as did Tomas Borge, who also survived both prison and the revolution. As Morris puts it, "Those who defected from the Front, usually in ideological huffs, tended to not have endured long term incarcerations."

This is another book strongly pointing out that the FSLN economic plans always included a private sector and that the Soviet Union was not an unqualified supporter of that part during the 1980s.

Nicaragua: Living in the Shadow of the Eagle points to Soviet-era documents that show the Soviet Union wasn't as involved or expecting as much as the Reagan and other supporters of the Contras claimed. I won’t review it in detail.

Rushdie’s The Jaguar Smile said that conservative estimates of the CIA's budget against Nicaragua in 1986-87 were around $400 million, with $300 million going to influence Nicaragua's neighbors, "...you had a grand total of $800 million being spent on dirty tricks and destabilization, to bring to heel a country of under three million people….In the five years of the war, the Nicaraguan economy had suffered an estimated $2 billion-worth of damage."

Rushdie visited Nicaragua at a time when many felt a US invasion was inevitable. The Contras were failing to keep troops. According to Rushdie’s contacts, the Sandinista government pardoned any campesino who'd joined or was pressed into the Contras and who wanted to quit. The FSLN was passing out AK-47s to campesinos; Rushdie said that he couldn't imagine El Salvador passing out weapons to their peasants. The majority of people did not support the contras in most of Nicaragua (the current November 6 vote probably reflects the distribution of Contra supporting areas fairly closely: a cattle farming area went for the best of the two other parties and Jinotega voted for Ortega with a smaller majority than the other departments).

I live here now and I’ve seen more politically frightened people in South Carolina during the 1950s. A writer for the Herald Tribune accused Nicaragua of repression that was not as conspicuous or as bloody as other parts of Central America, but which was more insidious and systematic. Rushdie brought this up. "Then he (Ramirez) lost his temper, 'You see,' he cried, 'if we do not murder and torture people as they do in Salvador, it just proves that we are so fiendishly subtle."

What Rushdie saw was a mixed economy. He had negative impressions of Ernesto Cardenal, the poet who claimed Nicaragua was the first country to nationalize poetry (Rushdie quotes in his forward a person in the audience quipping, "Second," meaning the Soviet Union. He heard Gioconda Belli reading and began a correspondence with her that he mentions in his foreword, that she'd left Nicaragua, though at this time, Belli is back in Managua, at least half the year (she’s one of the country club Sandinistas, frankly, meow).

Rushdie found himself at odds with his hosts over the issue of freedom of the press and over what he felt was an uncritical acceptance of all things Cuban, particularly on Cardenal's part. The Sandinistas closed La Prensa after the US Congress voted further funding to the Contras. La Prensa took money from the CIA (most agree on that one though the Chamorro family denies it) and the FSLN government, in what Rushdie saw as a tit for tat, shut down La Prensa. He found the idea of poets closing down a press appalling. The excuse was that "Everyone censors the press in wartime." Rushdie said, simply, of the excuse, "It wouldn't do."

(La Prensa is what you’d expect if you gave a teenaged US libertarian enough money to run a newspaper. An Australian paper gave a more responsible account of a 5,000 person march in Managua protesting the recent election; and when La Prensa’s workers went on strike after the article came out, this was said to be an example of FSLN intimidation. Gray area, but Somoza or his friends shot Joachim Chamorro for his attacks on the Somoza regime. One is under the impression that nothing makes Family Chamorro happy).

Rushdie saw an imperfect state, but believed that it was better than it was bad. "And imperfection, even the deep flaw of censorship, did not constitute a justification for being crushed by a super-power's military and economic force." He remembered debates with Mario Vargas Llosa, who had insisted that the democratic process was the only way to break the cycle of revolution and dictatorship in Latin America. Vargas Llosa supported the right in his native country of Peru and did not support what he felt was happening in Nicaragua.

Rushdie's fame as a fiction writer allowed him access to people who would not be as available to other visitors. He did his homework and was an acute observer, though sometimes less than candid about everything he saw. His Preface to the 1997 edition corrects some of these omissions, and brings the story forward ten years. He said of the Sandinistas as they left office, "Now, in their fall, they had behaved, once again simultaneously, like true democrats and also like true Latin American oligarchs."

I liked seeing this period of Nicaraguan history through the eyes of someone who wasn't from one of the dominant world cultures. Rushdie's worth reading, even if one doesn't agree with all his initial conclusions and does understand that land confiscation wasn't just from those who'd fled Nicaragua.

Roger N. Lancaster’s Life is Hard: Machismo, Danger, and the Intimacy of Power in Nicaragua isn’t a good book to start with, but is an excellent account of what it was like to live in Nicaragua at the end of the Contra War, to be in the Managua barrios when people were stressed by inflation, the draft, and the constant fear of US invasion. The book also discusses gender and gay issues, but the section on how the barrio reacted to the vote for Violetta Chamorro (as though in mourning), and the details of life in Managua barrios, how people coped, makes this one a good book for anyone wanting to know more about how life worked in Managua at that time.

Two movies – one the street vendor selling movies insisted that I buy: Sandino and the other one a loan from some young Nicaraguans when they returned my copy of Sandino: Pancho Villa. Both together bring back an era when people first began trying to throw off US domination. Both men were murdered.

Some people argue that Ortega and his faction of the FSLN are dictators – at worst, at least now, it might be a soft authoritarian regime, but given all the complaints about him, it is not a suppressed country. The local FSLN supporters looked more prosperous and better fed than the PRI (best of the two other parties) supporters. Politics here is played hardball – the country is in some ways better off than I imagined, but those who fail to be significantly prosperous don’t that much of a comfortable middle class to fall back to yet.



Rebecca Ore's fiction burst upon the world in 1988 with the publication of her celebrated Becoming Alien trilogy, the first two novels of which were nominated for the Philip K. Dick Award. Since then she’s published a great deal of short fiction and numerous novels, including Gaia’s Toys, Time’s ChildOutlaw School, Slow Funeral, the short fiction collection, Alien Bootlegger, and from Aqueduct Press, Alien Bootlegger and Centuries Ago and Very Fast, a collection of linked short stories that was a finalist for both the Philip K. Dick and the Lambda Awards. Aqueduct Press will be releasing her new novel, Time and Robbery this spring.