I'm pleased to announce the release of Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy by Liz Bourke, in both print and e-book editions, from Aqueduct Press. It's available now from Aqueduct Press.
Anyone familiar with Liz Bourke's work knows she isn't shy about sharing her opinion. In columns and reviews for science fiction and fantasy website Tor.com and elsewhere, she's taken a critical eye to fantasy and SF, from books to movies, television to videogames, old to new. This volume presents a selection of the best of her articles. Bourke's subjects range from the nature of epic fantasy— is it a naturally conservative sort of literature?—to the effect of Mass Effect's decision to allow players to play as a female hero, and from discussions of little-known writers to some of the most popular works in the field. A provocative, immensely readable collection of essays about the science fiction and fantasy field, from the perspective of a feminist and a historian, Sleeping With Monsters is an entertaining addition to any reader's shelves.
"A majority of the pieces in this collection come from Sleeps With Monsters, and ultimately, its purpose is more similar to Sleeps With Monsters than not: to be a little loud and angry. To celebrate the work of women in the science fiction and fantasy (SFF) field. To offer a snapshot, a limited glimpse, of what I think is best, most fun, most interesting."—from the author's Foreword
"[Bourke] consistently raises questions about the sort of content in books that for a long time was invisible to many reviewers or considered not worth examining. Uncovering the complex morass of sexism, racism, classism, ableism, religious bigotry, and homo- and transphobia that often underlies many of our received assumptions about narrative is right in her wheelhouse. ...[She] talks to us as if we're in conversation. What a pleasure it is to read pithy reviews of often-overlooked work I already admire, as well as to discover books I need to read."—from the Introduction by Kate Elliott
No comments:
Post a Comment