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Thursday, December 28, 2023

The Pleasures of Reading, Viewing, and Listening in 2023, Part 23: Joanne Rixon

 

 


The Pleasures of Reading 

by Joanne Rixon

 

 This year I did a lot of comfort reading, which for me consists of re-reading books I read years ago. I consumed stacks of old YA fantasy novels and obscure science fiction trilogies that I wouldn’t necessarily recommend to anyone who didn’t love them in the '90s. But I also encountered some real gems.

My absolute favorite kind of novel is the one that blends literary seriousness with speculative weirdness. Our Wives Under the Sea by Julia Armfield is a strange, deep book about grief. Death as the sloughing off of our solidity as we enter the dark currents of the underworld. The confirmation at the end that the strange and menacing shadow is a real monster feels almost but not quite unnecessary. I was left feeling like I’d made contact with something primordial—and also like someday I need to write a queer book that isn’t about grief.


Malka Older’s sensibility and clarity in The Mimicking of Known Successes is something I envy as a writer. Here are the stairs, the doorway. Here are your boots and coat, the delicate teacup on its saucer. Here are the flickering gas lamps that glow in the fog, shaping the world without illuminating it. And here is the fog, between you and the knowledge you seek. Holmes and Watson and a missing body, reincarnated among the rings of a gas giant. I’ll be re-reading this one as soon as I get my hands on the sequel that is coming out in the spring.

My most-recommended books of the year are Naomi Novik’s Scholomance trilogy. I devoured all three like a fat dog who has stolen a whole rotisserie chicken off the counter, in gulps, and then I told everyone I knew that they must read them too. Not just because this series is a damn fine coming of age with magic and monsters and world-changing intrigues, but because the whole point of telling each other stories like we do is so we can figure out how to learn from our mistakes and do better at being people in a society. And I truly think these books are a beacon of moral clarity for understanding the world.


 The Spear Cuts Through Water by Simon Jimenez took me more than a month to read. Almost always, if a book is giving me that much trouble, I stop reading it, but this book is different. Jimenez’ prose was very difficult for me, but it was rewarding at the same time, and the rewards of the rest of the book, which is a twisting, complex intergenerational battle for the soul of the world, were great. And the difficulty of the prose was necessary—the writing was dense and oblique, but also ornate and creative in a way that meant every word was surprising. The creativity itself meant that I had to slow down and read every single word. I couldn’t predict what words were coming next. I was not in the driver’s seat, I was holding on for dear life as the story careened around blind turns, and I enjoyed it immensely.

A pattern I noticed in myself this year is that I ingested almost all of my longform nonfiction via podcast. I had good luck with podcasts this year, starting with Lead Us Not, an investigation by Jenna Barnett at Sojourners into the leader of L’Arche, a religious community of co-op homes for people with and without disabilities. The founder of this movement was a deeply compassionate spiritual man who inspired many people to devote their lives to service—and also a sexual predator who took advantage of a number of women who looked to him for spiritual guidance. There’s something particularly awful about a spiritual leader coercing people sexually; it distorts the spiritual life of the victim. I have a friend who works within L’Arche as a chaplain, and this podcast gave me enough light to have good conversations with them about their work, their faith and their doubts.

On a lighter note, The Big Dig podcast by NPR and WBGH public radio in Boston, hosted by Ian Coss, is absurd to the point of comedy. A winding path through the conception, labor, and birth of the multi-tunnel interstate highway project in Boston known as the Big Dig, this podcast is an incredibly useful look at infrastructure. Every writer should understand infrastructure—it’s real life worldbuilding. Construction permits and architectural designs shape our lives in ways obvious and subtle.

On an even lighter note, If Books Could Kill is my favorite podcast of the year. Michael Hobbes, investigative journalist, and Peter Shamshiri, lawyer and co-host of the Supreme Court podcast 5-4, tear apart “the airport bestsellers that captured our hearts and ruined our minds.” There’s something intensely satisfying about scathing mockery of the worst books in the world, the bestsellers full of maliciously useless pablum. Blowhards use these books to get famous and make money off of people who are just looking for a little guidance, and this podcast is the only justice the world will ever see for them. It’s a beautiful work of art, and, like the YA fantasy novels of my teenage years, a comfort to read—or listen to—when the rest of my life is not very comforting at all.


Joanne Rixon's short speculative fiction has appeared in venues including Terraform, Fireside, and Lady's Churchill's Rosebud Wristlet. They are a member of STEW and the Dreamcrashers, and are an organizer with the North Seattle Science Fiction and Fantasy Writers Meetup. They are represented by Jennifer Goloboy of the Donald Maass Literary Agency, and you can find them yelling about poetry and politics on bluesky @joannerixon.bluesky.social, or at joannerixon.com


 

 

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